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1609117

音樂製作設備市場：按產品類型、最終用戶分類 - 2025-2030 年全球預測

Music Production Equipment Market by Product Type (Amplifiers, Audio Monitors, Microphones), End User (Home Studio Audio Production, Pro Studio Audio Production) - Global Forecast 2025-2030
出版日期: | 出版商: 360iResearch | 英文 190 Pages | 商品交期: 最快1-2個工作天內

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2023年音樂製作設備市場規模為137.2億美元，預計2024年將達到150.9億美元，複合年成長率為8.02%，預計到2030年將達到235.6億美元。

音樂製作設備市場包括廣泛的業餘愛好者和專業音樂製作人產品，從數位音訊音訊(DAW) 和合成器到麥克風和錄音室監聽器。這種需求源於音樂、遊戲和電影等多媒體娛樂產業的興起所推動的對高品質聲音製作的日益成長的需求。應用範圍包括錄音室、家庭設置、廣播環境和現場表演。最終用戶範圍從個人藝術家和音訊工程師到大型娛樂公司。市場成長受到技術進步的顯著影響，例如人工智慧驅動的聲音工程、網際網路普及率的提高以及由經濟實惠的軟體和硬體解決方案支援的 DIY 音樂製作的日益普及。

主要市場統計
基準年[2023] 137.2億美元
預計年份 [2024] 150.9億美元
預測年份 [2030] 235.6億美元
複合年成長率（%） 8.02%

機會在於為越來越多的獨立藝術家和小型工作室開發更多功能和方便用戶使用的設備。公司可以利用人們對杜比全景聲 (Dolby Atmos) 等身臨其境型音訊格式日益成長的興趣，開闢新的創新途徑。此外，數位學習和線上教學的持續成長可用於行銷和教育夥伴關係關係，以進入不斷成長的 DIY 市場。挑戰包括現有品牌之間的激烈競爭、先進設備的高成本限制了業餘愛好者的採用，以及需要持續研發投資的技術快速過時。此外，假冒產品構成重大威脅，可能會削弱品牌信任和收益。為了因應這些問題，企業應專注於獨特的產品創新、嚴格的品管和加強的售後服務。

可能產生重大影響的研究領域包括人工智慧驅動的音訊處理、永續生產的材料和雲端基礎的協作音樂平台。此類創新可以使產品在擁擠的市場中脫穎而出，培養品牌忠誠度並擴大用戶群。當前的市場格局非常活躍，擴大轉向數位和遠端製作解決方案。預測消費者趨勢、優先考慮擴充性並投資自適應技術的公司可能會在競爭日益激烈的領域實現持續成長和成功。

市場動態：快速發展的音樂製作設備市場的關鍵市場洞察

供需的動態交互作用正在改變音樂製作設備市場。透過了解這些不斷變化的市場動態，公司可以準備好做出明智的投資決策、完善策略決策並抓住新的商機。全面了解這些趨勢可以幫助企業降低政治、地理、技術、社會和經濟領域的風險，同時也能幫助消費行為及其對製造業的影響。

  • 市場促進因素
    • 世界各地實況活動和音樂會的增加
    • 個性化音樂偏好的激增
    • 用於創建混音曲目的 DJ 軟體迅速流行
  • 市場限制因素
    • 技術複雜性
  • 市場機會
    • 引進技術先進的音樂製作設備
    • 加大對音樂產業的投資
  • 市場挑戰
    • 以低價提供非品牌設備

波特的五力：駕馭音樂製作設備市場的策略工具

波特的五力框架是了解音樂製作設備市場競爭格局的重要工具。波特的五力框架為評估公司的競爭地位和探索策略機會提供了清晰的方法。該框架可幫助公司評估市場動態並確定新業務的盈利。這些見解使公司能夠利用自己的優勢，解決弱點並避免潛在的挑戰，從而確保更強大的市場地位。

PESTLE分析：了解外部對音樂製作設備市場的影響

外部宏觀環境因素對於塑造音樂製作設備市場的表現動態起著至關重要的作用。對政治、經濟、社會、技術、法律和環境因素的分析提供了應對這些影響所需的資訊。透過調查 PESTLE 因素，公司可以更了解潛在的風險和機會。這種分析可以幫助公司預測法規、消費者偏好和經濟趨勢的變化，並幫助他們做出積極主動的決策。

市場佔有率分析 了解音樂製作設備市場的競爭狀況

對音樂製作設備市場的詳細市場佔有率分析可以對供應商績效進行全面評估。公司可以透過比較收益、客戶群和成長率等關鍵指標來揭示其競爭地位。該分析揭示了市場集中、分散和整合的趨勢，為供應商提供了製定策略決策所需的洞察力，使他們能夠在日益激烈的競爭中佔有一席之地。

FPNV定位矩陣音樂製作設備市場廠商業績效評價

FPNV定位矩陣是評估音樂製作設備市場供應商的重要工具。此矩陣允許業務組織根據商務策略和產品滿意度評估供應商，從而做出與其目標相符的明智決策。這四個象限使您能夠清晰、準確地分類供應商，並確定最能滿足您的策略目標的合作夥伴和解決方案。

策略分析和建議，以規劃音樂製作設備市場的成功之路

對於旨在加強其在全球市場的影響力的公司來說，對音樂製作設備市場的策略分析至關重要。透過審查關鍵資源、能力和績效指標，公司可以識別成長機會並努力改進。這種方法使您能夠克服競爭環境中的挑戰，利用新的商機並取得長期成功。

本報告對市場進行了全面分析，涵蓋關鍵重點領域：

1. 市場滲透率：詳細檢視當前市場環境、主要企業的廣泛資料、評估其在市場中的影響力和整體影響力。

2. 市場開拓：辨識新興市場的成長機會，評估現有領域的擴張潛力，並提供未來成長的策略藍圖。

3. 市場多元化：分析近期產品發布、開拓地區、關鍵產業進展、塑造市場的策略投資。

4. 競爭評估與情報：徹底分析競爭格局，檢驗市場佔有率、業務策略、產品系列、認證、監理核准、專利趨勢、主要企業的技術進步等。

5. 產品開發與創新：重點關注可望推動未來市場成長的最尖端科技、研發活動和產品創新。

我們也回答重要問題，幫助相關人員做出明智的決策：

1.目前的市場規模和未來的成長預測是多少？

2. 哪些產品、區隔市場和地區提供最佳投資機會？

3.塑造市場的主要技術趨勢和監管影響是什麼？

4.主要廠商的市場佔有率和競爭地位如何？

5. 推動供應商市場進入和退出策略的收益來源和策略機會是什麼？

目錄

第1章 前言

第2章調查方法

第3章執行摘要

第4章市場概況

第5章市場洞察

  • 市場動態
    • 促進因素
      • 世界各地的實況活動和音樂會正在興起
      • 個人音樂品味的普遍性
      • 用於製作混音曲目的 DJ 軟體迅速流行
    • 抑制因素
      • 相關技術複雜性
    • 機會
      • 引進技術先進的音樂製作設備
      • 加大對音樂產業的投資
    • 任務
      • 低成本、非品牌設備的可用性
  • 市場區隔分析
  • 波特五力分析
  • PESTEL分析
    • 政治的
    • 經濟
    • 社群
    • 技術的
    • 合法地
    • 環境

第6章音樂製作設備市場：依產品類型

  • 擴大機
  • 音訊監視器
  • 麥克風
  • 攪拌機

第7章音樂製作設備市場：依最終用戶分類

  • 家庭工作室音訊製作
  • 專業錄音室音訊製作

第8章 北美和南美音樂製作設備市場

  • 阿根廷
  • 巴西
  • 加拿大
  • 墨西哥
  • 美國

第9章亞太音樂製作設備市場

  • 澳洲
  • 中國
  • 印度
  • 印尼
  • 日本
  • 馬來西亞
  • 菲律賓
  • 新加坡
  • 韓國
  • 台灣
  • 泰國
  • 越南

第10章 歐洲、中東、非洲音樂製作設備市場

  • 丹麥
  • 埃及
  • 芬蘭
  • 法國
  • 德國
  • 以色列
  • 義大利
  • 荷蘭
  • 奈及利亞
  • 挪威
  • 波蘭
  • 卡達
  • 俄羅斯
  • 沙烏地阿拉伯
  • 南非
  • 西班牙
  • 瑞典
  • 瑞士
  • 土耳其
  • 阿拉伯聯合大公國
  • 英國

第11章競爭格局

  • 2023 年市場佔有率分析
  • FPNV 定位矩陣，2023
  • 競爭情境分析
  • 戰略分析和建議

公司名單

  • Ableton AG
  • Audio-Technica US, Inc.
  • Avid Technology Inc.
  • CF Martin and Co. Inc.
  • D Addario and Co. Inc.
  • Fender Musical Instruments Corp.
  • Gibson Brands Inc.
  • KORG Inc.
  • Marshall Amplification PLC
  • QRS Music Technologies Inc.
  • Samsung Electronics Co. Ltd.
  • Sennheiser Electronic GmbH and Co. KG
  • Shure Inc.
  • Sony Group Corp.
  • Steinway Musical Instruments
  • Yamaha Corp.
Product Code: MRR-742BD5181BEE

The Music Production Equipment Market was valued at USD 13.72 billion in 2023, expected to reach USD 15.09 billion in 2024, and is projected to grow at a CAGR of 8.02%, to USD 23.56 billion by 2030.

The music production equipment market encompasses a diverse array of products, from digital audio workstations (DAWs) and synthesizers to microphones and studio monitors, designed for both hobbyist and professional music producers. Its necessity arises from the growing demand for high-quality sound production fueled by the flourishing multimedia entertainment industry, including music, gaming, and film. Applications span recording studios, home setups, broadcast environments, and live performances. End-users range from individual artists and audio engineers to large entertainment companies. Market growth is significantly influenced by technological advances like AI-driven sound engineering, rising internet penetration, and the increasing popularity of DIY music production, supported by affordable software and hardware solutions.

KEY MARKET STATISTICS
Base Year [2023] USD 13.72 billion
Estimated Year [2024] USD 15.09 billion
Forecast Year [2030] USD 23.56 billion
CAGR (%) 8.02%

Opportunities lie in developing more versatile, user-friendly equipment tailored to a growing base of independent artists and small studios. Companies can leverage the burgeoning interest in immersive audio formats like Dolby Atmos for music, which opens new avenues for innovation. Additionally, the continued rise of e-learning and online tutorials can be tapped for marketing and educational partnerships, feeding into growing DIY markets. Challenges include stiff competition among established brands, the high cost of advanced equipment limiting adoption among amateurs, and rapid technological obsolescence requiring continuous R&D investment. Furthermore, counterfeit products pose a significant threat, potentially eroding brand trust and revenue. To combat these, businesses should focus on unique product innovation, stringent quality control, and enhanced after-sales services.

Research areas poised for significant impact include AI-enhanced audio processing, sustainable production materials, and cloud-based collaborative music platforms. Innovations such as these can differentiate offerings in a crowded market, fostering brand loyalty and expanding user bases. The current market landscape is highly dynamic, with a shift towards digital and remote production solutions. Companies that anticipate consumer trends, prioritize scalability, and invest in adaptive technologies will likely thrive, positioning themselves for sustained growth in an increasingly competitive field.

Market Dynamics: Unveiling Key Market Insights in the Rapidly Evolving Music Production Equipment Market

The Music Production Equipment Market is undergoing transformative changes driven by a dynamic interplay of supply and demand factors. Understanding these evolving market dynamics prepares business organizations to make informed investment decisions, refine strategic decisions, and seize new opportunities. By gaining a comprehensive view of these trends, business organizations can mitigate various risks across political, geographic, technical, social, and economic domains while also gaining a clearer understanding of consumer behavior and its impact on manufacturing costs and purchasing trends.

  • Market Drivers
    • Increasing number of live events and musical concert across the globe
    • Prevalence for personalized taste in music
    • Rapid proliferation of DJ software for producing remix tracks
  • Market Restraints
    • Associated technical complexities
  • Market Opportunities
    • Introduction of technically advanced music production equipment
    • Rising investment in music industry
  • Market Challenges
    • Availability of low-cost and non branded equipment

Porter's Five Forces: A Strategic Tool for Navigating the Music Production Equipment Market

Porter's five forces framework is a critical tool for understanding the competitive landscape of the Music Production Equipment Market. It offers business organizations with a clear methodology for evaluating their competitive positioning and exploring strategic opportunities. This framework helps businesses assess the power dynamics within the market and determine the profitability of new ventures. With these insights, business organizations can leverage their strengths, address weaknesses, and avoid potential challenges, ensuring a more resilient market positioning.

PESTLE Analysis: Navigating External Influences in the Music Production Equipment Market

External macro-environmental factors play a pivotal role in shaping the performance dynamics of the Music Production Equipment Market. Political, Economic, Social, Technological, Legal, and Environmental factors analysis provides the necessary information to navigate these influences. By examining PESTLE factors, businesses can better understand potential risks and opportunities. This analysis enables business organizations to anticipate changes in regulations, consumer preferences, and economic trends, ensuring they are prepared to make proactive, forward-thinking decisions.

Market Share Analysis: Understanding the Competitive Landscape in the Music Production Equipment Market

A detailed market share analysis in the Music Production Equipment Market provides a comprehensive assessment of vendors' performance. Companies can identify their competitive positioning by comparing key metrics, including revenue, customer base, and growth rates. This analysis highlights market concentration, fragmentation, and trends in consolidation, offering vendors the insights required to make strategic decisions that enhance their position in an increasingly competitive landscape.

FPNV Positioning Matrix: Evaluating Vendors' Performance in the Music Production Equipment Market

The Forefront, Pathfinder, Niche, Vital (FPNV) Positioning Matrix is a critical tool for evaluating vendors within the Music Production Equipment Market. This matrix enables business organizations to make well-informed decisions that align with their goals by assessing vendors based on their business strategy and product satisfaction. The four quadrants provide a clear and precise segmentation of vendors, helping users identify the right partners and solutions that best fit their strategic objectives.

Strategy Analysis & Recommendation: Charting a Path to Success in the Music Production Equipment Market

A strategic analysis of the Music Production Equipment Market is essential for businesses looking to strengthen their global market presence. By reviewing key resources, capabilities, and performance indicators, business organizations can identify growth opportunities and work toward improvement. This approach helps businesses navigate challenges in the competitive landscape and ensures they are well-positioned to capitalize on newer opportunities and drive long-term success.

Key Company Profiles

The report delves into recent significant developments in the Music Production Equipment Market, highlighting leading vendors and their innovative profiles. These include Ableton AG, Audio-Technica U.S, Inc., Avid Technology Inc., C. F. Martin and Co. Inc., D Addario and Co. Inc., Fender Musical Instruments Corp., Gibson Brands Inc., KORG Inc., Marshall Amplification PLC, QRS Music Technologies Inc., Samsung Electronics Co. Ltd., Sennheiser Electronic GmbH and Co. KG, Shure Inc., Sony Group Corp., Steinway Musical Instruments, and Yamaha Corp..

Market Segmentation & Coverage

This research report categorizes the Music Production Equipment Market to forecast the revenues and analyze trends in each of the following sub-markets:

  • Based on Product Type, market is studied across Amplifiers, Audio Monitors, Microphones, and Mixers.
  • Based on End User, market is studied across Home Studio Audio Production and Pro Studio Audio Production.
  • Based on Region, market is studied across Americas, Asia-Pacific, and Europe, Middle East & Africa. The Americas is further studied across Argentina, Brazil, Canada, Mexico, and United States. The United States is further studied across California, Florida, Illinois, New York, Ohio, Pennsylvania, and Texas. The Asia-Pacific is further studied across Australia, China, India, Indonesia, Japan, Malaysia, Philippines, Singapore, South Korea, Taiwan, Thailand, and Vietnam. The Europe, Middle East & Africa is further studied across Denmark, Egypt, Finland, France, Germany, Israel, Italy, Netherlands, Nigeria, Norway, Poland, Qatar, Russia, Saudi Arabia, South Africa, Spain, Sweden, Switzerland, Turkey, United Arab Emirates, and United Kingdom.

The report offers a comprehensive analysis of the market, covering key focus areas:

1. Market Penetration: A detailed review of the current market environment, including extensive data from top industry players, evaluating their market reach and overall influence.

2. Market Development: Identifies growth opportunities in emerging markets and assesses expansion potential in established sectors, providing a strategic roadmap for future growth.

3. Market Diversification: Analyzes recent product launches, untapped geographic regions, major industry advancements, and strategic investments reshaping the market.

4. Competitive Assessment & Intelligence: Provides a thorough analysis of the competitive landscape, examining market share, business strategies, product portfolios, certifications, regulatory approvals, patent trends, and technological advancements of key players.

5. Product Development & Innovation: Highlights cutting-edge technologies, R&D activities, and product innovations expected to drive future market growth.

The report also answers critical questions to aid stakeholders in making informed decisions:

1. What is the current market size, and what is the forecasted growth?

2. Which products, segments, and regions offer the best investment opportunities?

3. What are the key technology trends and regulatory influences shaping the market?

4. How do leading vendors rank in terms of market share and competitive positioning?

5. What revenue sources and strategic opportunities drive vendors' market entry or exit strategies?

Table of Contents

1. Preface

  • 1.1. Objectives of the Study
  • 1.2. Market Segmentation & Coverage
  • 1.3. Years Considered for the Study
  • 1.4. Currency & Pricing
  • 1.5. Language
  • 1.6. Stakeholders

2. Research Methodology

  • 2.1. Define: Research Objective
  • 2.2. Determine: Research Design
  • 2.3. Prepare: Research Instrument
  • 2.4. Collect: Data Source
  • 2.5. Analyze: Data Interpretation
  • 2.6. Formulate: Data Verification
  • 2.7. Publish: Research Report
  • 2.8. Repeat: Report Update

3. Executive Summary

4. Market Overview

5. Market Insights

  • 5.1. Market Dynamics
    • 5.1.1. Drivers
      • 5.1.1.1. Increasing number of live events and musical concert across the globe
      • 5.1.1.2. Prevalence for personalized taste in music
      • 5.1.1.3. Rapid proliferation of DJ software for producing remix tracks
    • 5.1.2. Restraints
      • 5.1.2.1. Associated technical complexities
    • 5.1.3. Opportunities
      • 5.1.3.1. Introduction of technically advanced music production equipment
      • 5.1.3.2. Rising investment in music industry
    • 5.1.4. Challenges
      • 5.1.4.1. Availability of low-cost and non branded equipment
  • 5.2. Market Segmentation Analysis
  • 5.3. Porter's Five Forces Analysis
    • 5.3.1. Threat of New Entrants
    • 5.3.2. Threat of Substitutes
    • 5.3.3. Bargaining Power of Customers
    • 5.3.4. Bargaining Power of Suppliers
    • 5.3.5. Industry Rivalry
  • 5.4. PESTLE Analysis
    • 5.4.1. Political
    • 5.4.2. Economic
    • 5.4.3. Social
    • 5.4.4. Technological
    • 5.4.5. Legal
    • 5.4.6. Environmental

6. Music Production Equipment Market, by Product Type

  • 6.1. Introduction
  • 6.2. Amplifiers
  • 6.3. Audio Monitors
  • 6.4. Microphones
  • 6.5. Mixers

7. Music Production Equipment Market, by End User

  • 7.1. Introduction
  • 7.2. Home Studio Audio Production
  • 7.3. Pro Studio Audio Production

8. Americas Music Production Equipment Market

  • 8.1. Introduction
  • 8.2. Argentina
  • 8.3. Brazil
  • 8.4. Canada
  • 8.5. Mexico
  • 8.6. United States

9. Asia-Pacific Music Production Equipment Market

  • 9.1. Introduction
  • 9.2. Australia
  • 9.3. China
  • 9.4. India
  • 9.5. Indonesia
  • 9.6. Japan
  • 9.7. Malaysia
  • 9.8. Philippines
  • 9.9. Singapore
  • 9.10. South Korea
  • 9.11. Taiwan
  • 9.12. Thailand
  • 9.13. Vietnam

10. Europe, Middle East & Africa Music Production Equipment Market

  • 10.1. Introduction
  • 10.2. Denmark
  • 10.3. Egypt
  • 10.4. Finland
  • 10.5. France
  • 10.6. Germany
  • 10.7. Israel
  • 10.8. Italy
  • 10.9. Netherlands
  • 10.10. Nigeria
  • 10.11. Norway
  • 10.12. Poland
  • 10.13. Qatar
  • 10.14. Russia
  • 10.15. Saudi Arabia
  • 10.16. South Africa
  • 10.17. Spain
  • 10.18. Sweden
  • 10.19. Switzerland
  • 10.20. Turkey
  • 10.21. United Arab Emirates
  • 10.22. United Kingdom

11. Competitive Landscape

  • 11.1. Market Share Analysis, 2023
  • 11.2. FPNV Positioning Matrix, 2023
  • 11.3. Competitive Scenario Analysis
  • 11.4. Strategy Analysis & Recommendation

Companies Mentioned

  • 1. Ableton AG
  • 2. Audio-Technica U.S, Inc.
  • 3. Avid Technology Inc.
  • 4. C. F. Martin and Co. Inc.
  • 5. D Addario and Co. Inc.
  • 6. Fender Musical Instruments Corp.
  • 7. Gibson Brands Inc.
  • 8. KORG Inc.
  • 9. Marshall Amplification PLC
  • 10. QRS Music Technologies Inc.
  • 11. Samsung Electronics Co. Ltd.
  • 12. Sennheiser Electronic GmbH and Co. KG
  • 13. Shure Inc.
  • 14. Sony Group Corp.
  • 15. Steinway Musical Instruments
  • 16. Yamaha Corp.

LIST OF FIGURES

  • FIGURE 1. MUSIC PRODUCTION EQUIPMENT MARKET RESEARCH PROCESS
  • FIGURE 2. MUSIC PRODUCTION EQUIPMENT MARKET SIZE, 2023 VS 2030
  • FIGURE 3. GLOBAL MUSIC PRODUCTION EQUIPMENT MARKET SIZE, 2018-2030 (USD MILLION)
  • FIGURE 4. GLOBAL MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY REGION, 2023 VS 2024 VS 2030 (USD MILLION)
  • FIGURE 5. GLOBAL MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY COUNTRY, 2023 VS 2024 VS 2030 (USD MILLION)
  • FIGURE 6. GLOBAL MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY PRODUCT TYPE, 2023 VS 2030 (%)
  • FIGURE 7. GLOBAL MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY PRODUCT TYPE, 2023 VS 2024 VS 2030 (USD MILLION)
  • FIGURE 8. GLOBAL MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY END USER, 2023 VS 2030 (%)
  • FIGURE 9. GLOBAL MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY END USER, 2023 VS 2024 VS 2030 (USD MILLION)
  • FIGURE 10. AMERICAS MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY COUNTRY, 2023 VS 2030 (%)
  • FIGURE 11. AMERICAS MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY COUNTRY, 2023 VS 2024 VS 2030 (USD MILLION)
  • FIGURE 12. UNITED STATES MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY STATE, 2023 VS 2030 (%)
  • FIGURE 13. UNITED STATES MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY STATE, 2023 VS 2024 VS 2030 (USD MILLION)
  • FIGURE 14. ASIA-PACIFIC MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY COUNTRY, 2023 VS 2030 (%)
  • FIGURE 15. ASIA-PACIFIC MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY COUNTRY, 2023 VS 2024 VS 2030 (USD MILLION)
  • FIGURE 16. EUROPE, MIDDLE EAST & AFRICA MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY COUNTRY, 2023 VS 2030 (%)
  • FIGURE 17. EUROPE, MIDDLE EAST & AFRICA MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY COUNTRY, 2023 VS 2024 VS 2030 (USD MILLION)
  • FIGURE 18. MUSIC PRODUCTION EQUIPMENT MARKET SHARE, BY KEY PLAYER, 2023
  • FIGURE 19. MUSIC PRODUCTION EQUIPMENT MARKET, FPNV POSITIONING MATRIX, 2023

LIST OF TABLES

  • TABLE 1. MUSIC PRODUCTION EQUIPMENT MARKET SEGMENTATION & COVERAGE
  • TABLE 2. UNITED STATES DOLLAR EXCHANGE RATE, 2018-2023
  • TABLE 3. GLOBAL MUSIC PRODUCTION EQUIPMENT MARKET SIZE, 2018-2030 (USD MILLION)
  • TABLE 4. GLOBAL MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY REGION, 2018-2030 (USD MILLION)
  • TABLE 5. GLOBAL MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY COUNTRY, 2018-2030 (USD MILLION)
  • TABLE 6. MUSIC PRODUCTION EQUIPMENT MARKET DYNAMICS
  • TABLE 7. GLOBAL MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY PRODUCT TYPE, 2018-2030 (USD MILLION)
  • TABLE 8. GLOBAL MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY AMPLIFIERS, BY REGION, 2018-2030 (USD MILLION)
  • TABLE 9. GLOBAL MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY AUDIO MONITORS, BY REGION, 2018-2030 (USD MILLION)
  • TABLE 10. GLOBAL MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY MICROPHONES, BY REGION, 2018-2030 (USD MILLION)
  • TABLE 11. GLOBAL MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY MIXERS, BY REGION, 2018-2030 (USD MILLION)
  • TABLE 12. GLOBAL MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY END USER, 2018-2030 (USD MILLION)
  • TABLE 13. GLOBAL MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY HOME STUDIO AUDIO PRODUCTION, BY REGION, 2018-2030 (USD MILLION)
  • TABLE 14. GLOBAL MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY PRO STUDIO AUDIO PRODUCTION, BY REGION, 2018-2030 (USD MILLION)
  • TABLE 15. AMERICAS MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY PRODUCT TYPE, 2018-2030 (USD MILLION)
  • TABLE 16. AMERICAS MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY END USER, 2018-2030 (USD MILLION)
  • TABLE 17. AMERICAS MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY COUNTRY, 2018-2030 (USD MILLION)
  • TABLE 18. ARGENTINA MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY PRODUCT TYPE, 2018-2030 (USD MILLION)
  • TABLE 19. ARGENTINA MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY END USER, 2018-2030 (USD MILLION)
  • TABLE 20. BRAZIL MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY PRODUCT TYPE, 2018-2030 (USD MILLION)
  • TABLE 21. BRAZIL MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY END USER, 2018-2030 (USD MILLION)
  • TABLE 22. CANADA MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY PRODUCT TYPE, 2018-2030 (USD MILLION)
  • TABLE 23. CANADA MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY END USER, 2018-2030 (USD MILLION)
  • TABLE 24. MEXICO MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY PRODUCT TYPE, 2018-2030 (USD MILLION)
  • TABLE 25. MEXICO MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY END USER, 2018-2030 (USD MILLION)
  • TABLE 26. UNITED STATES MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY PRODUCT TYPE, 2018-2030 (USD MILLION)
  • TABLE 27. UNITED STATES MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY END USER, 2018-2030 (USD MILLION)
  • TABLE 28. UNITED STATES MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY STATE, 2018-2030 (USD MILLION)
  • TABLE 29. ASIA-PACIFIC MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY PRODUCT TYPE, 2018-2030 (USD MILLION)
  • TABLE 30. ASIA-PACIFIC MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY END USER, 2018-2030 (USD MILLION)
  • TABLE 31. ASIA-PACIFIC MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY COUNTRY, 2018-2030 (USD MILLION)
  • TABLE 32. AUSTRALIA MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY PRODUCT TYPE, 2018-2030 (USD MILLION)
  • TABLE 33. AUSTRALIA MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY END USER, 2018-2030 (USD MILLION)
  • TABLE 34. CHINA MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY PRODUCT TYPE, 2018-2030 (USD MILLION)
  • TABLE 35. CHINA MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY END USER, 2018-2030 (USD MILLION)
  • TABLE 36. INDIA MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY PRODUCT TYPE, 2018-2030 (USD MILLION)
  • TABLE 37. INDIA MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY END USER, 2018-2030 (USD MILLION)
  • TABLE 38. INDONESIA MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY PRODUCT TYPE, 2018-2030 (USD MILLION)
  • TABLE 39. INDONESIA MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY END USER, 2018-2030 (USD MILLION)
  • TABLE 40. JAPAN MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY PRODUCT TYPE, 2018-2030 (USD MILLION)
  • TABLE 41. JAPAN MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY END USER, 2018-2030 (USD MILLION)
  • TABLE 42. MALAYSIA MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY PRODUCT TYPE, 2018-2030 (USD MILLION)
  • TABLE 43. MALAYSIA MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY END USER, 2018-2030 (USD MILLION)
  • TABLE 44. PHILIPPINES MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY PRODUCT TYPE, 2018-2030 (USD MILLION)
  • TABLE 45. PHILIPPINES MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY END USER, 2018-2030 (USD MILLION)
  • TABLE 46. SINGAPORE MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY PRODUCT TYPE, 2018-2030 (USD MILLION)
  • TABLE 47. SINGAPORE MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY END USER, 2018-2030 (USD MILLION)
  • TABLE 48. SOUTH KOREA MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY PRODUCT TYPE, 2018-2030 (USD MILLION)
  • TABLE 49. SOUTH KOREA MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY END USER, 2018-2030 (USD MILLION)
  • TABLE 50. TAIWAN MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY PRODUCT TYPE, 2018-2030 (USD MILLION)
  • TABLE 51. TAIWAN MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY END USER, 2018-2030 (USD MILLION)
  • TABLE 52. THAILAND MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY PRODUCT TYPE, 2018-2030 (USD MILLION)
  • TABLE 53. THAILAND MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY END USER, 2018-2030 (USD MILLION)
  • TABLE 54. VIETNAM MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY PRODUCT TYPE, 2018-2030 (USD MILLION)
  • TABLE 55. VIETNAM MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY END USER, 2018-2030 (USD MILLION)
  • TABLE 56. EUROPE, MIDDLE EAST & AFRICA MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY PRODUCT TYPE, 2018-2030 (USD MILLION)
  • TABLE 57. EUROPE, MIDDLE EAST & AFRICA MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY END USER, 2018-2030 (USD MILLION)
  • TABLE 58. EUROPE, MIDDLE EAST & AFRICA MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY COUNTRY, 2018-2030 (USD MILLION)
  • TABLE 59. DENMARK MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY PRODUCT TYPE, 2018-2030 (USD MILLION)
  • TABLE 60. DENMARK MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY END USER, 2018-2030 (USD MILLION)
  • TABLE 61. EGYPT MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY PRODUCT TYPE, 2018-2030 (USD MILLION)
  • TABLE 62. EGYPT MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY END USER, 2018-2030 (USD MILLION)
  • TABLE 63. FINLAND MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY PRODUCT TYPE, 2018-2030 (USD MILLION)
  • TABLE 64. FINLAND MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY END USER, 2018-2030 (USD MILLION)
  • TABLE 65. FRANCE MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY PRODUCT TYPE, 2018-2030 (USD MILLION)
  • TABLE 66. FRANCE MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY END USER, 2018-2030 (USD MILLION)
  • TABLE 67. GERMANY MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY PRODUCT TYPE, 2018-2030 (USD MILLION)
  • TABLE 68. GERMANY MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY END USER, 2018-2030 (USD MILLION)
  • TABLE 69. ISRAEL MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY PRODUCT TYPE, 2018-2030 (USD MILLION)
  • TABLE 70. ISRAEL MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY END USER, 2018-2030 (USD MILLION)
  • TABLE 71. ITALY MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY PRODUCT TYPE, 2018-2030 (USD MILLION)
  • TABLE 72. ITALY MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY END USER, 2018-2030 (USD MILLION)
  • TABLE 73. NETHERLANDS MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY PRODUCT TYPE, 2018-2030 (USD MILLION)
  • TABLE 74. NETHERLANDS MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY END USER, 2018-2030 (USD MILLION)
  • TABLE 75. NIGERIA MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY PRODUCT TYPE, 2018-2030 (USD MILLION)
  • TABLE 76. NIGERIA MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY END USER, 2018-2030 (USD MILLION)
  • TABLE 77. NORWAY MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY PRODUCT TYPE, 2018-2030 (USD MILLION)
  • TABLE 78. NORWAY MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY END USER, 2018-2030 (USD MILLION)
  • TABLE 79. POLAND MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY PRODUCT TYPE, 2018-2030 (USD MILLION)
  • TABLE 80. POLAND MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY END USER, 2018-2030 (USD MILLION)
  • TABLE 81. QATAR MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY PRODUCT TYPE, 2018-2030 (USD MILLION)
  • TABLE 82. QATAR MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY END USER, 2018-2030 (USD MILLION)
  • TABLE 83. RUSSIA MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY PRODUCT TYPE, 2018-2030 (USD MILLION)
  • TABLE 84. RUSSIA MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY END USER, 2018-2030 (USD MILLION)
  • TABLE 85. SAUDI ARABIA MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY PRODUCT TYPE, 2018-2030 (USD MILLION)
  • TABLE 86. SAUDI ARABIA MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY END USER, 2018-2030 (USD MILLION)
  • TABLE 87. SOUTH AFRICA MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY PRODUCT TYPE, 2018-2030 (USD MILLION)
  • TABLE 88. SOUTH AFRICA MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY END USER, 2018-2030 (USD MILLION)
  • TABLE 89. SPAIN MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY PRODUCT TYPE, 2018-2030 (USD MILLION)
  • TABLE 90. SPAIN MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY END USER, 2018-2030 (USD MILLION)
  • TABLE 91. SWEDEN MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY PRODUCT TYPE, 2018-2030 (USD MILLION)
  • TABLE 92. SWEDEN MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY END USER, 2018-2030 (USD MILLION)
  • TABLE 93. SWITZERLAND MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY PRODUCT TYPE, 2018-2030 (USD MILLION)
  • TABLE 94. SWITZERLAND MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY END USER, 2018-2030 (USD MILLION)
  • TABLE 95. TURKEY MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY PRODUCT TYPE, 2018-2030 (USD MILLION)
  • TABLE 96. TURKEY MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY END USER, 2018-2030 (USD MILLION)
  • TABLE 97. UNITED ARAB EMIRATES MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY PRODUCT TYPE, 2018-2030 (USD MILLION)
  • TABLE 98. UNITED ARAB EMIRATES MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY END USER, 2018-2030 (USD MILLION)
  • TABLE 99. UNITED KINGDOM MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY PRODUCT TYPE, 2018-2030 (USD MILLION)
  • TABLE 100. UNITED KINGDOM MUSIC PRODUCTION EQUIPMENT MARKET SIZE, BY END USER, 2018-2030 (USD MILLION)
  • TABLE 101. MUSIC PRODUCTION EQUIPMENT MARKET SHARE, BY KEY PLAYER, 2023
  • TABLE 102. MUSIC PRODUCTION EQUIPMENT MARKET, FPNV POSITIONING MATRIX, 2023