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1657260

音樂領域的生成式AI(AI):2034 年全球市場機會與策略

Generative Artificial Intelligence (AI) In Music Global Market Opportunities And Strategies To 2034

出版日期: | 出版商: The Business Research Company | 英文 476 Pages | 商品交期: 2-3個工作天內

價格
簡介目錄

2019 年全球音樂生成 AI 市場價值為 4,953 萬美元,到 2024 年年複合成長率(CAGR)將超過 53.00%。

智慧型手機日益普及

在預測期內,智慧型手機的普及推動了音樂領域生成人工智慧 (AI) 市場的成長。智慧型手機的功率水平正在不斷提升,使其能夠運行由生成式人工智慧驅動的高級音樂製作應用程式。這些應用程式利用根據用戶輸入生成旋律、和聲和節拍的人工智慧演算法,使用戶能夠創作、製作和混合音樂。智慧型手機的廣泛普及和便攜性意味著,從普通愛好者到專業音樂家的廣泛人群都可以使用並有機會嘗試人工智慧音樂製作工具。例如,根據新加坡線上參考圖書館 DataReportal 的數據,2022 年至 2023 年間,西班牙的行動連線數將成長 2.2%,新增 130 萬個行動連線。此外,根據Data Reportal的預測,到2023年1月,波蘭的行動電話連線數將達到5,295萬,佔總人口的127.7%。這比 2022 年成長 4.8%。就這樣,智慧型手機的普及推動了音樂市場生成式人工智慧的成長。

目錄

第1章執行摘要

  • 音樂領域的生成式人工智慧—市場吸引力與宏觀經濟條件

第 2 章 目錄

第 3 章表格一覽

第4章圖表一覽

第5章 報告結構

第6章 市場特徵

  • 一般市場定義
  • 概述
  • 音樂市場定義與細分中的生成式人工智慧
  • 市場區隔:按類型
    • 歌曲結構與創作過程
    • 音樂製作
    • 推廣及行銷
    • 其他類型
  • 按軟體細分的市場
    • 本地
    • 雲端基礎
  • 按作業系統分類的市場
    • Windows
    • Mac OS
    • 其他作業系統
  • 市場區隔:按最終用戶
    • 專業或音訊工程師和攪拌機
    • 作詞及製作團隊
    • 電子音樂家
    • 藝術家或表演者
    • 教育機構
    • 音樂工作室
    • 其他最終用戶

第7章:主要市場趨勢

  • 利用互動式數位平台改變音樂製作
  • 用於音樂製作的生成式 AI 工具的進步
  • 利用基於文字提示的 AI 模型徹底改變音訊生成

8. 音樂市場中的生成式人工智慧:宏觀經濟情景

  • COVID-19 影響:音樂市場中的生成式人工智慧
  • 烏克蘭戰爭的影響:音樂生成人工智慧市場
  • 高通膨的影響:音樂市場的生成式人工智慧

第9章 生成式人工智慧在音訊軟體插件的應用分析

第 10 章 波特五力分析

第 11 章 PESTEL 分析

第12章 全球市場規模及成長

  • 市場規模
  • 2019 年至 2024 年市場成長表現
    • 市場促進因素 2019-2024
    • 2019 至 2024 年市場限制
  • 2024-2029 年及 2034 年市場成長預測
    • 市場促進因素 2024-2029
    • 市場限制 2024-2029

13. 全球音樂市場區隔中的生成式人工智慧

  • 全球音樂生成 AI 市場:按類型、表現和預測,2019-2024 年、2029 年預測、2034 年預測
  • 全球音樂生成 AI 市場(依作業系統分類)現況及預測,2019-2024 年、2029 年預測、2034 年預測
  • 全球音樂生成 AI 市場:按最終用戶、表現和預測,2019-2024 年、2029 年預測、2034 年預測
  • 全球音樂產生 AI 市場(按軟體、效能和預測)2019-2024 年、2029 年預測、2034 年預測

第 14 章 音樂市場中的生成式人工智慧:區域與國家分析

  • 全球音樂生成 AI 市場:按地區、表現和預測,2019-2024 年、2029 年預測、2034 年預測
  • 全球音樂生成 AI 市場:按國家、表現和預測,2019-2024 年、2029 年預測、2034 年預測

第15章 亞太市場

第16章 西歐市場

第17章 東歐市場

第18章 北美市場

第19章 南美洲市場

第20章 中東市場

第21章 非洲市場

第 22 章 競爭格局與公司概況

  • 公司簡介
  • Jukedeck
  • Suno
  • Aiva Technologies SARL
  • Boomy Corporation
  • Amper Music Inc

第 23 章:其他大型創新企業

  • Amadeus Code
  • Beatoven ai
  • Hydra II by Rightsify
  • Vochlea Music
  • Udio AI
  • Moises.AI
  • Soundful
  • Apple Inc
  • iZotope's AI Assistants
  • OpenAI(OpenAI's MuseNet)
  • Magix Software GmbH
  • HoRNet SRL
  • Universal Audio Inc
  • Meta Platforms, Inc.(Meta's AudioCraft)
  • Mubert Inc

第 24 章美國音樂市場生成人工智慧的競爭格局與公司概況

  • 美國音樂領域的生成式人工智慧:競爭格局
  • 美國音樂市場中的生成式人工智慧:公司簡介
    • Suno AI Inc.
    • Udio AI
    • Amper Music Inc.
    • Meta Platforms, Inc. (Meta's AudioCraft)
    • Soundful

25. 加拿大音樂生成人工智慧市場競爭格局及公司概況

  • 加拿大音樂市場中的生成式人工智慧:競爭格局
  • 加拿大音樂市場中的生成式人工智慧:公司簡介
    • Apple Inc.
    • Soundful
    • Universal Audio Inc.
    • Meta Platforms, Inc. (Meta's AudioCraft)
    • HoRNet SRL

第 26 章英國音樂市場生成人工智慧的競爭格局與公司簡介

  • 英國音樂領域的生成式人工智慧:競爭格局
  • 英國音樂市場中的生成式人工智慧:公司簡介
    • Jukedeck
    • Stability AI Ltd
    • SoundCloud
    • Deezer SA
    • Amadeus Code

27. 澳洲音樂生成人工智慧市場競爭格局及公司簡介

  • 澳洲音樂市場中的生成式人工智慧:競爭格局
  • 澳洲音樂市場中的生成式人工智慧:公司簡介
    • Splash Music
    • Apple Inc
    • HoRNet SRL
    • Vochlea Music
    • Udio AI

28. 西歐音樂生成人工智慧市場競爭格局及公司概況

  • 西歐音樂市場中的生成式人工智慧:競爭格局
  • 西歐音樂市場中的生成式人工智慧:公司簡介
    • Deezer SA
    • Jukedeck
    • Steinberg Media Technologies GmbH
    • SoundCloud
    • Magix Software GmbH

29. 德國音樂生成人工智慧市場競爭格局及公司概況

  • 德國音樂領域的生成式人工智慧:競爭格局
  • 德國音樂生成 AI 市場:公司簡介
    • Magix Software GmbH
    • SoundCloud
    • Steinberg Media Technologies GmbH
    • Aiva Technologies SARL
    • Boomy Corporation

30. 西班牙音樂生成人工智慧市場競爭格局與公司概況

  • 西班牙音樂領域的生成式人工智慧:競爭格局
  • 西班牙音樂領域的生成式人工智慧市場:公司簡介
    • SoundCloud
    • Magix Software GmbH
    • Aiva Technologies SARL
    • Vochlea Music
    • Apple Inc

31. 中國音樂生成人工智慧市場競爭格局及企業概況

  • 中國生成式人工智慧音樂市場:競爭格局
  • 中國音樂生成人工智慧市場:公司簡介
    • Tencent Holdings Ltd.
    • Apple Inc
    • Amper Music Inc.
    • Aiva Technologies SARL
    • Jukedeck

32. 印度音樂生成 AI 市場競爭格局及公司概況

  • 印度音樂市場的生成式人工智慧:競爭格局
  • 印度音樂市場的生成式人工智慧:公司簡介
    • Suno AI Inc.
    • Beatoven ai.
    • Apple Inc
    • Gaana Ltd.
    • Aiva Technologies SARL

第 33 章 日本音樂市場產生 AI 的競爭格局與公司簡介

  • 日本音樂市場的生成式人工智慧:競爭格局
  • 日本音樂產業的生成式人工智慧市場:公司簡介
    • Sony Group Corporation
    • Universal Audio Inc.
    • Amadeus Code
    • Boomy Corporation
    • Amper Music Inc.

34. 韓國音樂生成 AI 市場競爭格局及公司簡介

  • 韓國音樂生成 AI 市場:競爭格局
  • 韓國音樂生成 AI 市場:公司簡介
    • Amadeus Code
    • Moises.AI
    • OpenAI (OpenAI's MuseNet)
    • Soundful
    • Amper Music Inc.

35. 南美音樂生成 AI 市場競爭格局及公司概況

  • 音樂領域的生成式人工智慧:拉丁美洲的競爭格局
  • 南美音樂市場中的生成式人工智慧:公司簡介
    • Deezer SA
    • Apple Inc.
    • Meta Platforms, Inc. (Meta's AudioCraft)
    • Universal Audio Inc.
    • Hydra II by Rightsify

36. 中東音樂生成 AI 市場競爭格局及公司概況

  • 中東音樂市場中的生成式人工智慧:競爭格局
  • 中東音樂市場中的生成式人工智慧:公司簡介
    • Waves Audio Ltd.
    • Anghami Inc.
    • Vochlea Music
    • Aiva Technologies SARL
    • Soundful

第 37 章 競爭性基準化分析

第 38 章 競爭儀錶板

第39章 重大併購

  • Cyanite Acquires Aptone To Enhance AI-Powered Music Analysis And Recommendations
  • Soundcloud Acquires Musiio To Boost AI-Powered Music Discovery
  • Apple Acquires AI Music To Revolutionize Its Audio Offerings

第40章 機會與策略

  • 2029 年音樂市場中的全球生成式人工智慧:提供新機會的國家
  • 2029 年全球音樂市場中的生成式人工智慧:細分市場將帶來新機會
  • 2029 年音樂市場中的全球生成式人工智慧:成長策略
    • 基於市場趨勢的策略
    • 競爭對手的策略

第 41 章 音樂市場中的生成式人工智慧:結論與建議

  • 結論
  • 建議
    • 產品
    • 地方
    • 價格
    • 晉升
    • 人們

第 42 章 附錄

簡介目錄
Product Code: o&s1479

Generative AI in music involves the use of artificial intelligence algorithms to create original compositions, harmonies and even lyrics, emulating various musical styles and genres. It is employed during various stages of music creation, such as composing new pieces, mixing tracks and recording sessions, offering innovative tools that complement traditional methods.

The generative artificial intelligence (AI) in music market consists of revenues earned, by entities (organizations, sole traders and partnerships) that enable machines to autonomously create, produce and even perform music. This technology leverages advanced algorithms to analyze vast datasets of existing music, learning patterns and structures to generate original compositions. As a result, generative AI is reshaping how music is composed, produced and experienced.

The global generative artificial intelligence (AI) in music market was valued at $49.53 million in 2019 which grew till 2024 at a compound annual growth rate (CAGR) of more than 53.00%.

Increasing Adoption Of Smartphones

The increasing adoption of smartphones supported the growth of generative artificial intelligence (AI) in music market during the historic period. Smartphones have evolved to a level of power that enables the operation of advanced music creation applications utilizing generative AI. These applications allow users to compose, produce and mix music by harnessing AI algorithms that generate melodies, harmonies and beats based on user inputs. Given the widespread availability and portability of smartphones, a broader range of individuals from casual enthusiasts to professional musicians have the opportunity to access and experiment with AI-driven music production tools. For example, according to DataReportal, a Singapore-based online reference library, between 2022 and 2023, Spain experienced a growth of 2.2%, adding 1.3 million new mobile connections. Further, in January 2023, according to Data Reportal, Poland had 52.95 million cellular mobile connections, which was 127.7% of the total population. This was a 4.8% increase from 2022. Thus, the increasing adoption of smartphones supported the growth of the generative artificial intelligence (AI) in music market.

Transforming Music Production With Interactive Digital Platforms

Companies operating in the generative artificial intelligence (AI) in music market are focusing on developing interactive digital platforms to drive user engagement, enable seamless collaboration and deliver personalized music creation experiences. These platforms utilize AI-powered tools that empower users to compose, remix and produce music in real-time, catering to both amateur and professional musicians. For instance, in November 2024, the Saudi Music Commission, a Saudi Arabian company, launched an interactive digital platform called MusiqAI. This platform aims to provide a comprehensive learning experience for music enthusiasts, from beginners to advanced musicians, by integrating the latest technologies in music production and education. MusiqAI is the first self-learning digital platform for music in Saudi Arabia and the Arab region, making music education accessible to a wide audience. It offers online courses that allow users to learn at their own pace, anytime and anywhere. MusiqAI represents a significant step towards integrating AI into music education, reflecting Saudi Arabia's commitment to leveraging technology for cultural development.

The global generative artificial intelligence (AI) in music market is fairly fragmented, with a large number of small players in the market. The top ten competitors in the market made up to 24.17% of the total market in 2023.

Generative Artificial Intelligence (AI) In Music Global Market Opportunities And Strategies To 2034 from The Business Research Company provides the strategists; marketers and senior management with the critical information they need to assess the global generative artificial intelligence (AI) in music market as it emerges from the COVID-19 shut down.

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Where is the largest and fastest-growing market for generative artificial intelligence (AI) in music? How does the market relate to the overall economy; demography and other similar markets? What forces will shape the market going forward? The generative artificial intelligence (AI) in music market global report from The Business Research Company answers all these questions and many more.

The report covers market characteristics; size and growth; segmentation; regional and country breakdowns; competitive landscape; market shares; trends and strategies for this market. It traces the market's history and forecasts market growth by geography. It places the market within the context of the wider generative artificial intelligence (AI) in music market; and compares it with other markets.

The report covers the following chapters

  • Introduction and Market Characteristics- Brief introduction to the segmentations covered in the market, definitions and explanations about the segment by type, by software, by operating system and by end-user.
  • Key Trends- Highlights the major trends shaping the global market. This section also highlights likely future developments in the market.
  • Macro-Economic Scenario- The report provides an analysis of the impact of the COVID-19 pandemic, impact of the Russia-Ukraine war and impact of rising inflation on global and regional markets, providing strategic insights for businesses in the generative artificial intelligence (AI) in music market.
  • Global Market Size And Growth- Global historic (2019-2024) and forecast (2024-2029, 2034F) market values and drivers and restraints that support and control the growth of the market in the historic and forecast periods.
  • Regional And Country Analysis- Historic (2019-2024) and forecast (2024-2029, 2034F) market values and growth and market share comparison by region and country.
  • Market Segmentation- Contains the market values (2019-2024) (2024-2029, 2034F) and analysis for each segment by type, by software, by operating system and by end-user in the market. Historic (2019-2024) and forecast (2024-2029) and (2029-2034) market values and growth and market share comparison by region market.
  • Regional Market Size and Growth- Regional market size (2024), historic (2019-2024) and forecast (2024-2029, 2034F) market values and growth and market share comparison of countries within the region. This report includes information on all the regions Asia-Pacific, Western Europe, Eastern Europe, North America, South America, Middle East and Africa and major countries within each region.
  • Competitive Landscape- Details on the competitive landscape of the market, estimated market shares and company profiles of the leading players.
  • Other Major And Innovative Companies Details on the company profiles of other major and innovative companies in the market.
  • Competitive Benchmarking- Briefs on the financials comparison between major players in the market.
  • Competitive Dashboard- Briefs on competitive dashboard of major players.
  • Key Mergers and Acquisitions- Information on recent mergers and acquisitions in the market is covered in the report. This section gives key financial details of mergers and acquisitions which have shaped the market in recent years.
  • Market Opportunities And Strategies- Describes market opportunities and strategies based on findings of the research, with information on growth opportunities across countries, segments and strategies to be followed in those markets.
  • Conclusions And Recommendations- This section includes recommendations for generative artificial intelligence (AI) in music providers in terms of product/service offerings geographic expansion, marketing strategies and target groups.
  • Appendix- This section includes details on the NAICS codes covered, abbreviations and currencies codes used in this report.

Markets Covered:

  • 1) By Type: Song Composition And Creative Process; Music Production; Promotion And Marketing; Other Types
  • 2) By Software: On-Premise; Cloud-Based
  • 3) By Operating System: Windows; Mac Operating Systems; Other Operating Systems
  • 4) By End-User: Professionals Or Audio Engineers And Mixers; Songwriters And Production Teams; Electronic Musicians; Artists Or Performers; Education Institutes; Music Studios; Other End-Users
  • Companies Mentioned: Jukedeck; Suno; Aiva Technologies SARL; Boomy Corporation; Amper Music Inc.
  • Countries: China; Australia; India; Indonesia; Japan; South Korea; USA; Canada; Brazil; France; Germany; UK; Italy; Spain; Russia
  • Regions: Asia-Pacific; Western Europe; Eastern Europe; North America; South America; Middle East; Africa
  • Time-series: Five years historic and ten years forecast.
  • Data: Ratios of market size and growth to related markets; GDP proportions; expenditure per capita; generative artificial intelligence (AI) in music indicators comparison.
  • Data segmentations: country and regional historic and forecast data; market share of competitors; market segments.
  • Sourcing and Referencing: Data and analysis throughout the report is sourced using end notes.

Table of Contents

1 Executive Summary

  • 1.1 Generative Artificial Intelligence (AI) In Music - Market Attractiveness And Macro economic Landscape

2 Table Of Contents

3 List Of Tables

4 List Of Figures

5 Report Structure

6 Market Characteristics

  • 6.1 General Market Definition
  • 6.2 Summary
  • 6.3 Generative Artificial Intelligence (AI) In Music Market Definition And Segmentations
  • 6.4 Market Segmentation By Type
    • 6.4.1 Song Composition and Creative Process
    • 6.4.2 Music Production
    • 6.4.3 Promotion and Marketing
    • 6.4.4 Other Types
  • 6.5 Market Segmentation By Software
    • 6.5.1 On-Premise
    • 6.5.2 Cloud-Based
  • 6.6 Market Segmentation By Operating System
    • 6.6.1 Windows
    • 6.6.2 Mac Operating System
    • 6.6.3 Other Operating Systems
  • 6.7 Market Segmentation By End-User
    • 6.7.1 Professionals or Audio Engineers and Mixers
    • 6.7.2 Songwriters and Production Teams
    • 6.7.3 Electronic Musicians
    • 6.7.4 Artists or Performers
    • 6.7.5 Education Institutes
    • 6.7.6 Music Studios
    • 6.7.7 Other End-Users

7 Major Market Trends

  • 7.1 Transforming Music Production With Interactive Digital Platforms
  • 7.2 Advancements In Generative AI Tools For Music Creation
  • 7.3 Revolutionizing Audio Generation With Text-Prompt-Based AI Models

8 Generative Artificial Intelligence (AI) In Music Market - Macro Economic Scenario

  • 8.1 COVID-19 Impact On The Generative Artificial Intelligence (AI) In Music Market
  • 8.2 Impact Of The War In Ukraine On The Generative Artificial Intelligence (AI) In Music Market
  • 8.3 Impact Of High Inflation On The Generative Artificial Intelligence (AI) In Music Market

9 Analysis Of Generative AI's Application To Audio Software Plug-Ins

10 Porter's Five Forces Analysis

11 PESTEL Analysis

12 Global Market Size and Growth

  • 12.1 Market Size
  • 12.2 Historic Market Growth, 2019 - 2024, Value ($ Million)
    • 12.2.1 Market Drivers 2019 - 2024
    • 12.2.2 Market Restraints 2019 - 2024
  • 12.3 Forecast Market Growth, 2024 - 2029, 2034F Value ($ Million)
    • 12.3.1 Market Drivers 2024 - 2029
    • 12.3.2 Market Restraints 2024 - 2029

13 Global Generative Artificial Intelligence (AI) In Music Market Segmentation

  • 13.1 Global Generative Artificial Intelligence (AI) In Music Market, Segmentation By Type, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 13.2 Global Generative Artificial Intelligence (AI) In Music Market, Segmentation By Operating System, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 13.3 Global Generative Artificial Intelligence (AI) In Music Market, Segmentation By End-User, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 13.4 Global Generative Artificial Intelligence (AI) In Music Market, Segmentation By Software, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)

14 Generative Artificial Intelligence (AI) In Music Market, Regional and Country Analysis

  • 14.1 Global Generative Artificial Intelligence (AI) In Music Market, By Region, Historic and Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 14.2 Global Generative Artificial Intelligence (AI) In Music Market, By Country, Historic and Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)

15 Asia-Pacific Market

  • 15.1 Summary
  • 15.2 Market Overview
    • 15.2.1 Region Information
    • 15.2.2 Market Information
    • 15.2.3 Background Information
    • 15.2.4 Government Initiatives
    • 15.2.5 Regulations
    • 15.2.6 Regulatory Bodies
    • 15.2.7 Major Associations
    • 15.2.8 Taxes Levied
    • 15.2.9 Corporate Tax Structure
    • 15.2.10 Investments
    • 15.2.11 Major Companies
  • 15.3 Asia-Pacific Generative Artificial Intelligence (AI) In Music Market, Segmentation By Type, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 15.4 Asia-Pacific Generative Artificial Intelligence (AI) In Music Market, Segmentation By Operating System, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 15.5 Asia-Pacific Generative Artificial Intelligence (AI) In Music Market, Segmentation By End-User, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 15.6 Asia-Pacific Generative Artificial Intelligence (AI) In Music Market: Country Analysis
  • 15.7 China Market
  • 15.8 Summary
  • 15.9 Market Overview
    • 15.9.1 Country Information
    • 15.9.2 Market Information
    • 15.9.3 Background Information
    • 15.9.4 Government Initiatives
    • 15.9.5 Regulations
    • 15.9.6 Regulatory Bodies
    • 15.9.7 Major Associations
    • 15.9.8 Taxes Levied
    • 15.9.9 Corporate Tax Structure
    • 15.9.10 Investments
    • 15.9.11 Major Companies
  • 15.10 China Generative Artificial Intelligence (AI) In Music Market, Segmentation By Type, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 15.11 China Generative Artificial Intelligence (AI) In Music Market, Segmentation By Operating System, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 15.12 China Generative Artificial Intelligence (AI) In Music Market, Segmentation By End-User, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 15.13 India Market
  • 15.14 India Generative Artificial Intelligence (AI) In Music Market, Segmentation By Type, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 15.15 India Generative Artificial Intelligence (AI) In Music Market, Segmentation By Operating System, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 15.16 India Generative Artificial Intelligence (AI) In Music Market, Segmentation By End-User, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 15.17 Japan Market
  • 15.18 Japan Generative Artificial Intelligence (AI) In Music Market, Segmentation By Type, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 15.19 Japan Generative Artificial Intelligence (AI) In Music Market, Segmentation By Operating System, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 15.20 Japan Generative Artificial Intelligence (AI) In Music Market, Segmentation By End-User, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 15.21 Australia Market
  • 15.22 Australia Generative Artificial Intelligence (AI) In Music Market, Segmentation By Type, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 15.23 Australia Generative Artificial Intelligence (AI) In Music Market, Segmentation By Operating System, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 15.24 Australia Generative Artificial Intelligence (AI) In Music Market, Segmentation By End-User, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 15.25 Indonesia Market
  • 15.26 Indonesia Generative Artificial Intelligence (AI) In Music Market, Segmentation By Type, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 15.27 Indonesia Generative Artificial Intelligence (AI) In Music Market, Segmentation By Operating System, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 15.28 Indonesia Generative Artificial Intelligence (AI) In Music Market, Segmentation By End-User, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 15.29 South Korea Market
  • 15.30 South Korea Generative Artificial Intelligence (AI) In Music Market, Segmentation By Type, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 15.31 South Korea Generative Artificial Intelligence (AI) In Music Market, Segmentation By Operating System, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 15.32 South Korea Generative Artificial Intelligence (AI) In Music Market, Segmentation By End-User, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)

16 Western Europe Market

  • 16.1 Summary
  • 16.2 Market Overview
    • 16.2.1 Region Information
    • 16.2.2 Market Information
    • 16.2.3 Background Information
    • 16.2.4 Government Initiatives
    • 16.2.5 Regulations
    • 16.2.6 Regulatory Bodies
    • 16.2.7 Major Associations
    • 16.2.8 Taxes Levied
    • 16.2.9 Corporate tax structure
    • 16.2.10 Investments
    • 16.2.11 Major Companies
  • 16.3 Western Europe Generative Artificial Intelligence (AI) In Music Market, Segmentation By Type, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 16.4 Western Europe Generative Artificial Intelligence (AI) In Music Market, Segmentation By Operating System, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 16.5 Western Europe Generative Artificial Intelligence (AI) In Music Market, Segmentation By End-User, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 16.6 Western Europe Generative Artificial Intelligence (AI) In Music Market: Country Analysis
  • 16.7 UK Market
  • 16.8 UK Generative Artificial Intelligence (AI) In Music Market, Segmentation By Type, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 16.9 UK Generative Artificial Intelligence (AI) In Music Market, Segmentation By Operating System, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 16.10 UK Generative Artificial Intelligence (AI) In Music Market, Segmentation By End-User, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 16.11 Germany Market
  • 16.12 Germany Generative Artificial Intelligence (AI) In Music Market, Segmentation By Type, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 16.13 Germany Generative Artificial Intelligence (AI) In Music Market, Segmentation By Operating System, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 16.14 Germany Generative Artificial Intelligence (AI) In Music Market, Segmentation By End-User, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 16.15 France Market
  • 16.16 France Generative Artificial Intelligence (AI) In Music Market, Segmentation By Type, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 16.17 France Generative Artificial Intelligence (AI) In Music Market, Segmentation By Operating System, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 16.18 France Generative Artificial Intelligence (AI) In Music Market, Segmentation By End-User, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 16.19 Italy Market
  • 16.20 Italy Generative Artificial Intelligence (AI) In Music Market, Segmentation By Type, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 16.21 Italy Generative Artificial Intelligence (AI) In Music Market, Segmentation By Operating System, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 16.22 Italy Generative Artificial Intelligence (AI) In Music Market, Segmentation By End-User, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 16.23 Spain Market
  • 16.24 Spain Generative Artificial Intelligence (AI) In Music Market, Segmentation By Type, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 16.25 Spain Generative Artificial Intelligence (AI) In Music Market, Segmentation By Operating System, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 16.26 Spain Generative Artificial Intelligence (AI) In Music Market, Segmentation By End-User, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)

17 Eastern Europe Market

  • 17.1 Summary
  • 17.2 Market Overview
    • 17.2.1 Region Information
    • 17.2.2 Market Information
    • 17.2.3 Background Information
    • 17.2.4 Government Initiatives
    • 17.2.5 Regulations
    • 17.2.6 Regulatory Bodies
    • 17.2.7 Major Associations
    • 17.2.8 Taxes Levied
    • 17.2.9 Corporate Tax Structure
    • 17.2.10 Major companies
  • 17.3 Eastern Europe Generative Artificial Intelligence (AI) In Music Market, Segmentation By Type, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 17.4 Eastern Europe Generative Artificial Intelligence (AI) In Music Market, Segmentation By Operating System, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 17.5 Eastern Europe Generative Artificial Intelligence (AI) In Music Market, Segmentation By End-User, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 17.6 Eastern Europe Generative Artificial Intelligence (AI) In Music Market: Country Analysis
  • 17.7 Russia Market
  • 17.8 Russia Generative Artificial Intelligence (AI) In Music Market, Segmentation By Type, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 17.9 Russia Generative Artificial Intelligence (AI) In Music Market, Segmentation By Operating System, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 17.10 Russia Generative Artificial Intelligence (AI) In Music Market, Segmentation By End-User, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)

18 North America Market

  • 18.1 Summary
  • 18.2 Market Overview
    • 18.2.1 Region Information
    • 18.2.2 Market Information
    • 18.2.3 Background Information
    • 18.2.4 Government Initiatives
    • 18.2.5 Regulations
    • 18.2.6 Regulatory Bodies
    • 18.2.7 Major Associations
    • 18.2.8 Taxes Levied
    • 18.2.9 Corporate Tax Structure
    • 18.2.10 Investments
    • 18.2.11 Major Companies
  • 18.3 North America Generative Artificial Intelligence (AI) In Music Market, Segmentation By Type, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 18.4 North America Generative Artificial Intelligence (AI) In Music Market, Segmentation By Operating System, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 18.5 North America Generative Artificial Intelligence (AI) In Music Market, Segmentation By End-User, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 18.6 North America Generative Artificial Intelligence (AI) In Music Market: Country Analysis
  • 18.7 USA Market
  • 18.8 Summary
  • 18.9 Market Overview
    • 18.9.1 Country Information
    • 18.9.2 Market Information
    • 18.9.3 Background Information
    • 18.9.4 Government Initiatives
    • 18.9.5 Regulations
    • 18.9.6 Regulatory Bodies
    • 18.9.7 Major Associations
    • 18.9.8 Taxes Levied
    • 18.9.9 Corporate Tax Structure
    • 18.9.10 Investments
    • 18.9.11 Major Companies
  • 18.10 USA Generative Artificial Intelligence (AI) In Music Market, Segmentation By Type, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 18.11 USA Generative Artificial Intelligence (AI) In Music Market, Segmentation By Operating System, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 18.12 USA Generative Artificial Intelligence (AI) In Music Market, Segmentation By End-User, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 18.13 Canada Market
  • 18.14 Canada Generative Artificial Intelligence (AI) In Music Market, Segmentation By Type, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 18.15 Canada Generative Artificial Intelligence (AI) In Music Market, Segmentation By Operating System, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 18.16 Canada Generative Artificial Intelligence (AI) In Music Market, Segmentation By End-User, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)

19 South America Market

  • 19.1 Summary
  • 19.2 Market Overview
    • 19.2.1 Region Information
    • 19.2.2 Market Information
    • 19.2.3 Background Information
    • 19.2.4 Government Initiatives
    • 19.2.5 Regulations
    • 19.2.6 Regulatory Bodies
    • 19.2.7 Major Associations
    • 19.2.8 Taxes Levied
    • 19.2.9 Corporate Tax Structure
    • 19.2.10 Major Companies
  • 19.3 South America Generative Artificial Intelligence (AI) In Music Market, Segmentation By Type, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 19.4 South America Generative Artificial Intelligence (AI) In Music Market, Segmentation By Operating System, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 19.5 South America Generative Artificial Intelligence (AI) In Music Market, Segmentation By End-User, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 19.6 South America Generative Artificial Intelligence (AI) In Music Market: Country Analysis
  • 19.7 Brazil Market
  • 19.8 Brazil Generative Artificial Intelligence (AI) In Music Market, Segmentation By Type, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 19.9 Brazil Generative Artificial Intelligence (AI) In Music Market, Segmentation By Operating System, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 19.10 Brazil Generative Artificial Intelligence (AI) In Music Market, Segmentation By End-User, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)

20 Middle East Market

  • 20.1 Summary
  • 20.2 Market Overview
    • 20.2.1 Region Information
    • 20.2.2 Market Information
    • 20.2.3 Background Information
    • 20.2.4 Government Initiatives
    • 20.2.5 Regulations
    • 20.2.6 Regulatory Bodies
    • 20.2.7 Major Associations
    • 20.2.8 Taxes Levied
    • 20.2.9 Corporate Tax Structure
    • 20.2.10 Investments
    • 20.2.11 Major Companies
  • 20.3 Middle East Generative Artificial Intelligence (AI) In Music Market, Segmentation By Type, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 20.4 Middle East Generative Artificial Intelligence (AI) In Music Market, Segmentation By Operating System, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 20.5 Middle East Generative Artificial Intelligence (AI) In Music Market, Segmentation By End-User, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)

21 Africa Market

  • 21.1 Summary
  • 21.2 Market Overview
    • 21.2.1 Region Information
    • 21.2.2 Market Information
    • 21.2.3 Background Information
    • 21.2.4 Government Initiatives
    • 21.2.5 Regulations
    • 21.2.6 Regulatory Bodies
    • 21.2.7 Major Associations
    • 21.2.8 Taxes Levied
    • 21.2.9 Corporate Tax Structure
    • 21.2.10 Investments
    • 21.2.11 Major Companies
  • 21.3 Africa Generative Artificial Intelligence (AI) In Music Market, Segmentation By Type, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 21.4 Africa Generative Artificial Intelligence (AI) In Music Market, Segmentation By Operating System, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)
  • 21.5 Africa Generative Artificial Intelligence (AI) In Music Market, Segmentation By End-User, Historic And Forecast, 2019 - 2024, 2029F, 2034F, Value ($ Million)

22 Competitive Landscape and Company Profiles

  • 22.1 Company Profiles
  • 22.2 Jukedeck
    • 22.2.1 Company Overview
    • 22.2.2 Products And Services
    • 22.2.3 Financial Overview
  • 22.3 Suno
    • 22.3.1 Company Overview
    • 22.3.2 Products And Services
    • 22.3.3 Business Strategy
    • 22.3.4 Financial Overview
  • 22.4 Aiva Technologies SARL
    • 22.4.1 Company Overview
    • 22.4.2 Products And Services
    • 22.4.3 Financial Overview
  • 22.5 Boomy Corporation
    • 22.5.1 Company Overview
    • 22.5.2 Products And Services
    • 22.5.3 Financial Overview
  • 22.6 Amper Music Inc
    • 22.6.1 Company Overview
    • 22.6.2 Products And Services
    • 22.6.3 Financial Overview

23 Other Major And Innovative Companies

  • 23.1 Amadeus Code
    • 23.1.1 Company Overview
    • 23.1.2 Products and Services
  • 23.2 Beatoven ai
    • 23.2.1 Company Overview
    • 23.2.2 Products and Services
  • 23.3 Hydra II by Rightsify
    • 23.3.1 Company Overview
    • 23.3.2 Products and Services
  • 23.4 Vochlea Music
    • 23.4.1 Company Overview
    • 23.4.2 Products and Services
  • 23.5 Udio AI
    • 23.5.1 Company Overview
    • 23.5.2 Products and Services
  • 23.6 Moises.AI
    • 23.6.1 Company Overview
    • 23.6.2 Products and Services
  • 23.7 Soundful
    • 23.7.1 Company Overview
    • 23.7.2 Products and Services
  • 23.8 Apple Inc
    • 23.8.1 Company Overview
    • 23.8.2 Products and Services
  • 23.9 iZotope's AI Assistants
    • 23.9.1 Company Overview
    • 23.9.2 Products and Services
  • 23.10 OpenAI (OpenAI's MuseNet)
    • 23.10.1 Company Overview
    • 23.10.2 Products and Services
  • 23.11 Magix Software GmbH
    • 23.11.1 Company Overview
    • 23.11.2 Products and Services
  • 23.12 HoRNet SRL
    • 23.12.1 Company Overview
    • 23.12.2 Products and Services
  • 23.13 Universal Audio Inc
    • 23.13.1 Company Overview
    • 23.13.2 Products and Services
  • 23.14 Meta Platforms, Inc. (Meta's AudioCraft)
    • 23.14.1 Company Overview
    • 23.14.2 Products and Services
  • 23.15 Mubert Inc
    • 23.15.1 Company Overview
    • 23.15.2 Products and Services

24 USA Generative Artificial Intelligence (AI) In Music Market Competitive Landscape And Company Profiles

  • 24.1 USA Generative Artificial Intelligence (AI) In Music Market Competitive Landscape
  • 24.2 USA Generative Artificial Intelligence (AI) In Music Market Company Profiles
  • 24.3 Suno AI Inc.
    • 24.3.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 24.3.2 Products And End Users
    • 24.3.3 R&D Activities And Spend
    • 24.3.4 Estimated Annual Revenues
    • 24.3.5 Global And Regional Market Share
    • 24.3.6 Year- On- Year Sales Growth
    • 24.3.7 Gross Profit Margin
    • 24.3.8 Investment Received And Investor Names
    • 24.3.9 Estimated Valuation
  • 24.4 Udio AI
    • 24.4.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 24.4.2 Products And End Users
    • 24.4.3 R&D Activities And Spend
    • 24.4.4 Estimated Annual Revenues
    • 24.4.5 Global And Regional Market Share
    • 24.4.6 Year- On- Year Sales Growth
    • 24.4.7 Gross Profit Margin
    • 24.4.8 Investment Received And Investor Names
    • 24.4.9 Estimated Valuation
  • 24.5 Amper Music Inc.
    • 24.5.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 24.5.2 Products And End Users
    • 24.5.3 R&D Activities And Spend
    • 24.5.4 Estimated Annual Revenues
    • 24.5.5 Global And Regional Market Share
    • 24.5.6 Year- On- Year Sales Growth
    • 24.5.7 Gross Profit Margin
    • 24.5.8 Investment Received And Investor Name
    • 24.5.9 Estimated Valuation
  • 24.6 Meta Platforms, Inc. (Meta's AudioCraft)
    • 24.6.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 24.6.2 Products And End Users
    • 24.6.3 R&D Activities And Spend
    • 24.6.4 Estimated Annual Revenues
    • 24.6.5 Global And Regional Market Share
    • 24.6.6 Year- On- Year Sales Growth
    • 24.6.7 Gross Profit Margin
    • 24.6.8 Investment Received And Investor Names
    • 24.6.9 Estimated Valuation
  • 24.7 Soundful
    • 24.7.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 24.7.2 Products And End Users
    • 24.7.3 R&D Activities And Spend
    • 24.7.4 Estimated Annual Revenues
    • 24.7.5 Global And Regional Market Share
    • 24.7.6 Year- On- Year Sales Growth
    • 24.7.7 Gross Profit Margin
    • 24.7.8 Investment Received And Investor Names
    • 24.7.9 Estimated Valuation

25 Canada Generative Artificial Intelligence (AI) In Music Market Competitive Landscape And Company Profiles

  • 25.1 Canada Generative Artificial Intelligence (AI) In Music Market Competitive Landscape
  • 25.2 Canada Generative Artificial Intelligence (AI) In Music Market Company Profiles
  • 25.3 Apple Inc.
    • 25.3.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 25.3.2 Products And End Users
    • 25.3.3 R&D Activities And Spend
    • 25.3.4 Estimated Annual Revenues
    • 25.3.5 Global And Regional Market Share
    • 25.3.6 Year- On- Year Sales Growth
    • 25.3.7 Gross Profit Margin
    • 25.3.8 Investment Received And Investor Names
    • 25.3.9 Estimated Valuation
  • 25.4 Soundful
    • 25.4.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 25.4.2 Products And End Users
    • 25.4.3 R&D Activities And Spend
    • 25.4.4 Estimated Annual Revenues
    • 25.4.5 Global And Regional Market Share
    • 25.4.6 Year- On- Year Sales Growth
    • 25.4.7 Gross Profit Margin
    • 25.4.8 Investment Received And Investor Names
    • 25.4.9 Estimated Valuation
  • 25.5 Universal Audio Inc.
    • 25.5.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 25.5.2 Products And End Users
    • 25.5.3 R&D Activities And Spend
    • 25.5.4 Estimated Annual Revenues
    • 25.5.5 Global And Regional Market Share
    • 25.5.6 Year- On- Year Sales Growth
    • 25.5.7 Gross Profit Margin
    • 25.5.8 Investment Received And Investor Names
    • 25.5.9 Estimated Valuation
  • 25.6 Meta Platforms, Inc. (Meta's AudioCraft)
    • 25.6.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 25.6.2 Products And End Users
    • 25.6.3 R&D Activities And Spend
    • 25.6.4 Estimated Annual Revenues
    • 25.6.5 Global And Regional Market Share
    • 25.6.6 Year- On- Year Sales Growth
    • 25.6.7 Gross Profit Margin
    • 25.6.8 Investment Received And Investor Names
    • 25.6.9 Estimated Valuation
  • 25.7 HoRNet SRL
    • 25.7.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 25.7.2 Products And End Users
    • 25.7.3 R&D Activities And Spend
    • 25.7.4 Estimated Annual Revenues
    • 25.7.5 Global And Regional Market Share
    • 25.7.6 Year- On- Year Sales Growth
    • 25.7.7 Gross Profit Margin
    • 25.7.8 Investment Received And Investor Names
    • 25.7.9 Estimated Valuation

26 UK Generative Artificial Intelligence (AI) In Music Market Competitive Landscape And Company Profiles

  • 26.1 UK Generative Artificial Intelligence (AI) In Music Market Competitive Landscape
  • 26.2 UK Generative Artificial Intelligence (AI) In Music Market Company Profiles
  • 26.3 Jukedeck
    • 26.3.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 26.3.2 Products And End Users
    • 26.3.3 R&D Activities And Spend
    • 26.3.4 Estimated Annual Revenues
    • 26.3.5 Global And Regional Market Share
    • 26.3.6 Year- On- Year Sales Growth
    • 26.3.7 Gross Profit Margin
    • 26.3.8 Investment Received And Investor Names
    • 26.3.9 Estimated Valuation
  • 26.4 Stability AI Ltd
    • 26.4.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 26.4.2 Products And End Users
    • 26.4.3 R&D Activities And Spend
    • 26.4.4 Estimated Annual Revenues
    • 26.4.5 Global And Regional Market Share
    • 26.4.6 Year- On- Year Sales Growth
    • 26.4.7 Gross Profit Margin
    • 26.4.8 Investment Received And Investor Names
    • 26.4.9 Estimated Valuation
  • 26.5 SoundCloud
    • 26.5.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 26.5.2 Products And End Users
    • 26.5.3 Estimated Annual Revenues
    • 26.5.4 Global And Regional Market Share
    • 26.5.5 Year- On- Year Sales Growth
    • 26.5.6 Gross Profit Margin
    • 26.5.7 Investment Received And Investor Names
    • 26.5.8 Estimated Valuation
  • 26.6 Deezer SA
    • 26.6.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 26.6.2 Products And End Users
    • 26.6.3 R&D Activities And Spend
    • 26.6.4 Estimated Annual Revenues
    • 26.6.5 Global And Regional Market Share
    • 26.6.6 Year- On- Year Sales Growth
    • 26.6.7 Gross Profit Margin
    • 26.6.8 Investment Received And Investor Names
    • 26.6.9 Estimated Valuation
  • 26.7 Amadeus Code
    • 26.7.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 26.7.2 Products And End Users
    • 26.7.3 R&D Activities And Spend
    • 26.7.4 Estimated Annual Revenues
    • 26.7.5 Global And Regional Market Share
    • 26.7.6 Year- On- Year Sales Growth
    • 26.7.7 Gross Profit Margin
    • 26.7.8 Investment Received And Investor Names
    • 26.7.9 Estimated Valuation

27 Australia Generative Artificial Intelligence (AI) In Music Market Competitive Landscape And Company Profiles

  • 27.1 Australia Generative Artificial Intelligence (AI) In Music Market Competitive Landscape
  • 27.2 Australia Generative Artificial Intelligence (AI) In Music Market Company Profiles
  • 27.3 Splash Music
    • 27.3.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 27.3.2 Products And End Users
    • 27.3.3 R&D Activities And Spend
    • 27.3.4 Estimated Annual Revenues
    • 27.3.5 Global And Regional Market Share
    • 27.3.6 Year- On- Year Sales Growth
    • 27.3.7 Gross Profit Margin
    • 27.3.8 Investment Received And Investor Names
    • 27.3.9 Estimated Valuation
  • 27.4 Apple Inc
    • 27.4.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 27.4.2 Products And End Users
    • 27.4.3 R&D Activities And Spend
    • 27.4.4 Estimated Annual Revenues
    • 27.4.5 Global And Regional Market Share
    • 27.4.6 Year- On- Year Sales Growth
    • 27.4.7 Gross Profit Margin
    • 27.4.8 Investment Received And Investor Names
    • 27.4.9 Estimated Valuation
  • 27.5 HoRNet SRL
    • 27.5.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 27.5.2 Products And End Users
    • 27.5.3 R&D Activities And Spend
    • 27.5.4 Estimated Annual Revenues
    • 27.5.5 Global And Regional Market Share
    • 27.5.6 Year- On- Year Sales Growth
    • 27.5.7 Gross Profit Margin
    • 27.5.8 Investment Received And Investor Names
    • 27.5.9 Estimated Valuation
  • 27.6 Vochlea Music
    • 27.6.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 27.6.2 Products And End Users
    • 27.6.3 R&D Activities And Spend
    • 27.6.4 Estimated Annual Revenues
    • 27.6.5 Global And Regional Market Share
    • 27.6.6 Year- On- Year Sales Growth
    • 27.6.7 Gross Profit Margin
    • 27.6.8 Investment Received And Investor Names
    • 27.6.9 Estimated Valuation
  • 27.7 Udio AI
    • 27.7.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 27.7.2 Products And End Users
    • 27.7.3 R&D Activities And Spend
    • 27.7.4 Estimated Annual Revenues
    • 27.7.5 Global And Regional Market Share
    • 27.7.6 Year- On- Year Sales Growth
    • 27.7.7 Gross Profit Margin
    • 27.7.8 Investment Received And Investor Names
    • 27.7.9 Estimated Valuation

28 Western Europe Generative Artificial Intelligence (AI) In Music Market Competitive Landscape And Company Profiles

  • 28.1 Western Europe Generative Artificial Intelligence (AI) In Music Market Competitive Landscape
  • 28.2 Western Europe Generative Artificial Intelligence (AI) In Music Market Company Profiles
  • 28.3 Deezer SA
    • 28.3.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 28.3.2 Products And End Users
    • 28.3.3 R&D Activities And Spend
    • 28.3.4 Estimated Annual Revenues
    • 28.3.5 Global And Regional Market Share
    • 28.3.6 Year- On- Year Sales Growth
    • 28.3.7 Gross Profit Margin
    • 28.3.8 Investment Received And Investor Names
    • 28.3.9 Estimated Valuation
  • 28.4 Jukedeck
    • 28.4.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 28.4.2 Products And End Users
    • 28.4.3 R&D Activities And Spend
    • 28.4.4 Estimated Annual Revenues
    • 28.4.5 Global And Regional Market Share
    • 28.4.6 Year- On- Year Sales Growth
    • 28.4.7 Gross Profit Margin
    • 28.4.8 Investment Received And Investor Names
    • 28.4.9 Estimated Valuation
  • 28.5 Steinberg Media Technologies GmbH
    • 28.5.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 28.5.2 Products And End Users
    • 28.5.3 R&D Activities And Spend
    • 28.5.4 Estimated Annual Revenues
    • 28.5.5 Global And Regional Market Share
    • 28.5.6 Year- On- Year Sales Growth
    • 28.5.7 Gross Profit Margin
    • 28.5.8 Investment Received And Investor Names
    • 28.5.9 Estimated Valuation
  • 28.6 SoundCloud
    • 28.6.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 28.6.2 Products And End Users
    • 28.6.3 R&D Activities And Spend
    • 28.6.4 Estimated Annual Revenues
    • 28.6.5 Global And Regional Market Share
    • 28.6.6 Year- On- Year Sales Growth
    • 28.6.7 Gross Profit Margin
    • 28.6.8 Investment Received And Investor Names
    • 28.6.9 Estimated Valuation
  • 28.7 Magix Software GmbH
    • 28.7.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 28.7.2 Products And End Users
    • 28.7.3 R&D Activities And Spend
    • 28.7.4 Estimated Annual Revenues
    • 28.7.5 Global And Regional Market Share
    • 28.7.6 Year- On- Year Sales Growth
    • 28.7.7 Gross Profit Margin
    • 28.7.8 Investment Received And Investor Names
    • 28.7.9 Estimated Valuation

29 Germany Generative Artificial Intelligence (AI) In Music Market Competitive Landscape And Company Profiles

  • 29.1 Germany Generative Artificial Intelligence (AI) In Music Market Competitive Landscape
  • 29.2 Germany Generative Artificial Intelligence (AI) In Music Market Company Profiles
  • 29.3 Magix Software GmbH
    • 29.3.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 29.3.2 Products And End Users
    • 29.3.3 R&D Activities And Spend
    • 29.3.4 Estimated Annual Revenues
    • 29.3.5 Global And Regional Market Share
    • 29.3.6 Year- On- Year Sales Growth
    • 29.3.7 Gross Profit Margin
    • 29.3.8 Investment Received And Investor Names
    • 29.3.9 Estimated Valuation
  • 29.4 SoundCloud
    • 29.4.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 29.4.2 Products And End Users
    • 29.4.3 Estimated Annual Revenues
    • 29.4.4 Global And Regional Market Share
    • 29.4.5 Year- On- Year Sales Growth
    • 29.4.6 Gross Profit Margin
    • 29.4.7 Investment Received And Investor Names
    • 29.4.8 Estimated Valuation
  • 29.5 Steinberg Media Technologies GmbH
    • 29.5.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 29.5.2 Products And End Users
    • 29.5.3 R&D Activities And Spend
    • 29.5.4 Estimated Annual Revenues
    • 29.5.5 Global And Regional Market Share
    • 29.5.6 Year- On- Year Sales Growth
    • 29.5.7 Gross Profit Margin
    • 29.5.8 Investment Received And Investor Names
    • 29.5.9 Estimated Valuation
  • 29.6 Aiva Technologies SARL
    • 29.6.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 29.6.2 Products And End Users
    • 29.6.3 R&D Activities And Spend
    • 29.6.4 Estimated Annual Revenues
    • 29.6.5 Global And Regional Market Share
    • 29.6.6 Year- On- Year Sales Growth
    • 29.6.7 Gross Profit Margin
    • 29.6.8 Investment Received And Investor Names
    • 29.6.9 Estimated Valuation
  • 29.7 Boomy Corporation
    • 29.7.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 29.7.2 Products And End Users
    • 29.7.3 R&D Activities And Spend
    • 29.7.4 Estimated Annual Revenues
    • 29.7.5 Global And Regional Market Share
    • 29.7.6 Year- On- Year Sales Growth
    • 29.7.7 Gross Profit Margin
    • 29.7.8 Investment Received And Investor Names
    • 29.7.9 Estimated Valuation

30 Spain Generative Artificial Intelligence (AI) In Music Market Competitive Landscape And Company Profiles

  • 30.1 Spain Generative Artificial Intelligence (AI) In Music Market Competitive Landscape
  • 30.2 Spain Generative Artificial Intelligence (AI) In Music Market Company Profiles
  • 30.3 SoundCloud
    • 30.3.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 30.3.2 Products And End Users
    • 30.3.3 Estimated Annual Revenues
    • 30.3.4 Global And Regional Market Share
    • 30.3.5 Year- On- Year Sales Growth
    • 30.3.6 Gross Profit Margin
    • 30.3.7 Investment Received And Investor Names
    • 30.3.8 Estimated Valuation
  • 30.4 Magix Software GmbH
    • 30.4.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 30.4.2 Products And End Users
    • 30.4.3 R&D Activities And Spend
    • 30.4.4 Estimated Annual Revenues
    • 30.4.5 Global And Regional Market Share
    • 30.4.6 Year- On- Year Sales Growth
    • 30.4.7 Gross Profit Margin
    • 30.4.8 Investment Received And Investor Names
    • 30.4.9 Estimated Valuation
  • 30.5 Aiva Technologies SARL
    • 30.5.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 30.5.2 Products And End Users
    • 30.5.3 R&D Activities And Spend
    • 30.5.4 Estimated Annual Revenues
    • 30.5.5 Global And Regional Market Share
    • 30.5.6 Year- On- Year Sales Growth
    • 30.5.7 Gross Profit Margin
    • 30.5.8 Investment Received And Investor Names
    • 30.5.9 Estimated Valuation
  • 30.6 Vochlea Music
    • 30.6.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 30.6.2 Products And End Users
    • 30.6.3 R&D Activities And Spend
    • 30.6.4 Estimated Annual Revenues
    • 30.6.5 Global And Regional Market Share
    • 30.6.6 Year- On- Year Sales Growth
    • 30.6.7 Gross Profit Margin
    • 30.6.8 Investment Received And Investor Names
    • 30.6.9 Estimated Valuation
  • 30.7 Apple Inc
    • 30.7.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 30.7.2 Products And End Users
    • 30.7.3 R&D Activities And Spend
    • 30.7.4 Estimated Annual Revenues
    • 30.7.5 Global And Regional Market Share
    • 30.7.6 Year- On- Year Sales Growth
    • 30.7.7 Gross Profit Margin
    • 30.7.8 Investment Received And Investor Names
    • 30.7.9 Estimated Valuation

31 China Generative Artificial Intelligence (AI) In Music Market Competitive Landscape And Company Profiles

  • 31.1 China Generative Artificial Intelligence (AI) In Music Market Competitive Landscape
  • 31.2 China Generative Artificial Intelligence (AI) In Music Market Company Profiles
  • 31.3 Tencent Holdings Ltd.
    • 31.3.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 31.3.2 Products And End Users
    • 31.3.3 R&D Activities And Spend
    • 31.3.4 Estimated Annual Revenues
    • 31.3.5 Global And Regional Market Share
    • 31.3.6 Year-On-Year Sales Growth
    • 31.3.7 Gross Profit Margin
    • 31.3.8 Investment Received And Investor Names
    • 31.3.9 Estimated Valuation
  • 31.4 Apple Inc
    • 31.4.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 31.4.2 Products And End Users
    • 31.4.3 R&D Activities And Spend
    • 31.4.4 Estimated Annual Revenues
    • 31.4.5 Global And Regional Market Share
    • 31.4.6 Year-On-Year Sales Growth
    • 31.4.7 Gross Profit Margin
    • 31.4.8 Investment Received And Investor Names
    • 31.4.9 Estimated Valuation
  • 31.5 Amper Music Inc.
    • 31.5.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 31.5.2 Products And End Users
    • 31.5.3 R&D Activities And Spend
    • 31.5.4 Estimated Annual Revenues
    • 31.5.5 Global And Regional Market Share
    • 31.5.6 Year-On-Year Sales Growth
    • 31.5.7 Gross Profit Margin
    • 31.5.8 Investment Received And Investor Names
    • 31.5.9 Estimated Valuation
  • 31.6 Aiva Technologies SARL
    • 31.6.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 31.6.2 Products And End Users
    • 31.6.3 R&D Activities And Spend
    • 31.6.4 Estimated Annual Revenues
    • 31.6.5 Global And Regional Market Share
    • 31.6.6 Year-On-Year Sales Growth
    • 31.6.7 Gross Profit Margin
    • 31.6.8 Investment Received And Investor Names
    • 31.6.9 Estimated Valuation
  • 31.7 Jukedeck
    • 31.7.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 31.7.2 Products And End Users
    • 31.7.3 R&D Activities And Spend
    • 31.7.4 Estimated Annual Revenues
    • 31.7.5 Global And Regional Market Share
    • 31.7.6 Year-On-Year Sales Growth
    • 31.7.7 Gross Profit Margin
    • 31.7.8 Investment Received And Investor Names
    • 31.7.9 Estimated Valuation

32 India Generative Artificial Intelligence (AI) In Music Market Competitive Landscape And Company Profiles

  • 32.1 India Generative Artificial Intelligence (AI) In Music Market Competitive Landscape
  • 32.2 India Generative Artificial Intelligence (AI) In Music Market Company Profiles
  • 32.3 Suno AI Inc.
    • 32.3.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 32.3.2 Products And End Users
    • 32.3.3 R&D Activities And Spend
    • 32.3.4 Estimated Annual Revenues
    • 32.3.5 Global And Regional Market Share
    • 32.3.6 Year-On-Year Sales Growth
    • 32.3.7 Gross Profit Margin
    • 32.3.8 Investment Received And Investor Names
    • 32.3.9 Estimated Valuation
  • 32.4 Beatoven ai.
    • 32.4.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 32.4.2 Products And End Users
    • 32.4.3 R&D Activities And Spend
    • 32.4.4 Estimated Annual Revenues
    • 32.4.5 Global And Regional Market Share
    • 32.4.6 Year-On-Year Sales Growth
    • 32.4.7 Gross Profit Margin
    • 32.4.8 Investment Received And Investor Names
    • 32.4.9 Estimated Valuation
  • 32.5 Apple Inc
    • 32.5.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 32.5.2 Products And End Users
    • 32.5.3 R&D Activities And Spend
    • 32.5.4 Estimated Annual Revenues
    • 32.5.5 Global And Regional Market Share
    • 32.5.6 Year-On-Year Sales Growth
    • 32.5.7 Gross Profit Margin
    • 32.5.8 Investment Received And Investor Names
    • 32.5.9 Estimated Valuation
  • 32.6 Gaana Ltd.
    • 32.6.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 32.6.2 Products And End Users
    • 32.6.3 R&D Activities And Spend
    • 32.6.4 Estimated Annual Revenues
    • 32.6.5 Global And Regional Market Share
    • 32.6.6 Year-On-Year Sales Growth
    • 32.6.7 Gross Profit Margin
    • 32.6.8 Investment Received And Investor Names
    • 32.6.9 Estimated Valuation
  • 32.7 Aiva Technologies SARL
    • 32.7.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 32.7.2 Products And End Users
    • 32.7.3 R&D Activities And Spend
    • 32.7.4 Estimated Annual Revenues
    • 32.7.5 Global And Regional Market Share
    • 32.7.6 Year-On-Year Sales Growth
    • 32.7.7 Gross Profit Margin
    • 32.7.8 Investment Received And Investor Names
    • 32.7.9 Estimated Valuation

33 Japan Generative Artificial Intelligence (AI) In Music Market Competitive Landscape And Company Profiles

  • 33.1 Japan Generative Artificial Intelligence (AI) In Music Market Competitive Landscape
  • 33.2 Japan Generative Artificial Intelligence (AI) In Music Market Company Profiles
  • 33.3 Sony Group Corporation
    • 33.3.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 33.3.2 Products And End Users
    • 33.3.3 R&D Activities And Spend
    • 33.3.4 Estimated Annual Revenues
    • 33.3.5 Global And Regional Market Share
    • 33.3.6 Year-On-Year Sales Growth
    • 33.3.7 Gross Profit Margin
    • 33.3.8 Investment Received And Investor Names
    • 33.3.9 Estimated Valuation
  • 33.4 Universal Audio Inc.
    • 33.4.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 33.4.2 Products And End Users
    • 33.4.3 R&D Activities And Spend
    • 33.4.4 Estimated Annual Revenues
    • 33.4.5 Global And Regional Market Share
    • 33.4.6 Year-On-Year Sales Growth
    • 33.4.7 Gross Profit Margin
    • 33.4.8 Investment Received And Investor Names
    • 33.4.9 Estimated Valuation
  • 33.5 Amadeus Code
    • 33.5.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 33.5.2 Products and End Users
    • 33.5.3 R&D Activities and Spend
    • 33.5.4 Estimated Annual Revenues
    • 33.5.5 Global And Regional Market Share
    • 33.5.6 Year-On-Year Sales Growth
    • 33.5.7 Gross Profit Margin
    • 33.5.8 Investment Received And Investor Names
    • 33.5.9 Estimated Valuation
  • 33.6 Boomy Corporation
    • 33.6.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 33.6.2 Products and End Users
    • 33.6.3 R&D Activities and Spend
    • 33.6.4 Estimated Annual Revenues
    • 33.6.5 Global And Regional Market Share
    • 33.6.6 Year-On-Year Sales Growth
    • 33.6.7 Gross Profit Margin
    • 33.6.8 Investment Received And Investor Names
    • 33.6.9 Estimated Valuation
  • 33.7 Amper Music Inc.
    • 33.7.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 33.7.2 Products And End Users
    • 33.7.3 R&D Activities And Spend
    • 33.7.4 Estimated Annual Revenues
    • 33.7.5 Global And Regional Market Share
    • 33.7.6 Year-On-Year Sales Growth
    • 33.7.7 Gross Profit Margin
    • 33.7.8 Investment Received And Investor Names
    • 33.7.9 Estimated Valuation

34 South Korea Generative Artificial Intelligence (AI) In Music Market Competitive Landscape And Company Profiles

  • 34.1 South Korea Generative Artificial Intelligence (AI) In Music Market Competitive Landscape
  • 34.2 South Korea Generative Artificial Intelligence (AI) In Music Market Company Profiles
  • 34.3 Amadeus Code
    • 34.3.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 34.3.2 Products and End Users
    • 34.3.3 R&D Activities and Spend
    • 34.3.4 Estimated Annual Revenues
    • 34.3.5 Global And Regional Market Share
    • 34.3.6 Year-On-Year Sales Growth
    • 34.3.7 Gross Profit Margin
    • 34.3.8 Investment Received And Investor Names
    • 34.3.9 Estimated Valuation
  • 34.4 Moises.AI
    • 34.4.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 34.4.2 Products And End Users
    • 34.4.3 R&D Activities And Spend
    • 34.4.4 Estimated Annual Revenues
    • 34.4.5 Global And Regional Market Share
    • 34.4.6 Year-On-Year Sales Growth
    • 34.4.7 Gross Profit Margin
    • 34.4.8 Investment Received And Investor Names
    • 34.4.9 Estimated Valuation
  • 34.5 OpenAI (OpenAI's MuseNet)
    • 34.5.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 34.5.2 Products and End Users
    • 34.5.3 R&D Activities and Spend
    • 34.5.4 Estimated Annual Revenues
    • 34.5.5 Global And Regional Market Share
    • 34.5.6 Year-On-Year Sales Growth
    • 34.5.7 Gross Profit Margin
    • 34.5.8 Investment Received And Investor Names
    • 34.5.9 Estimated Valuation
  • 34.6 Soundful
    • 34.6.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 34.6.2 Products and End Users
    • 34.6.3 R&D Activities and Spend
    • 34.6.4 Estimated Annual Revenues
    • 34.6.5 Global And Regional Market Share
    • 34.6.6 Year-On-Year Sales Growth
    • 34.6.7 Gross Profit Margin
    • 34.6.8 Investment Received And Investor Names
    • 34.6.9 Estimated Valuation
  • 34.7 Amper Music Inc.
    • 34.7.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 34.7.2 Products And End Users
    • 34.7.3 R&D Activities And Spend
    • 34.7.4 Estimated Annual Revenues
    • 34.7.5 Global And Regional Market Share
    • 34.7.6 Year-On-Year Sales Growth
    • 34.7.7 Gross Profit Margin
    • 34.7.8 Investment Received And Investor Names
    • 34.7.9 Estimated Valuation

35 South America Generative Artificial Intelligence (AI) In Music Market Competitive Landscape And Company Profiles

  • 35.1 South America Generative Artificial Intelligence (AI) In Music Market Competitive Landscape
  • 35.2 South America Generative Artificial Intelligence (AI) In Music Market Company Profiles
  • 35.3 Deezer SA
    • 35.3.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 35.3.2 Products And End Users
    • 35.3.3 R&D Activities And Spend
    • 35.3.4 Estimated Annual Revenues
    • 35.3.5 Global And Regional Market Share
    • 35.3.6 Year- On- Year Sales Growth
    • 35.3.7 Gross Profit Margin
    • 35.3.8 Investment Received And Investor Names
    • 35.3.9 Estimated Valuation
  • 35.4 Apple Inc.
    • 35.4.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 35.4.2 Products And End Users
    • 35.4.3 R&D Activities And Spend
    • 35.4.4 Estimated Annual Revenues
    • 35.4.5 Global And Regional Market Share
    • 35.4.6 Year- On- Year Sales Growth
    • 35.4.7 Gross Profit Margin
    • 35.4.8 Investment Received And Investor Names
    • 35.4.9 Estimated Valuation
  • 35.5 Meta Platforms, Inc. (Meta's AudioCraft)
    • 35.5.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 35.5.2 Products And End Users
    • 35.5.3 R&D Activities And Spend
    • 35.5.4 Estimated Annual Revenues
    • 35.5.5 Global And Regional Market Share
    • 35.5.6 Year- On- Year Sales Growth
    • 35.5.7 Gross Profit Margin
    • 35.5.8 Investment Received And Investor Names
    • 35.5.9 Estimated Valuation
  • 35.6 Universal Audio Inc.
    • 35.6.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 35.6.2 Products And End Users
    • 35.6.3 R&D Activities And Spend
    • 35.6.4 Estimated Annual Revenues
    • 35.6.5 Global And Regional Market Share
    • 35.6.6 Year- On- Year Sales Growth
    • 35.6.7 Gross Profit Margin
    • 35.6.8 Investment Received And Investor Names
    • 35.6.9 Estimated Valuation
  • 35.7 Hydra II by Rightsify
    • 35.7.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 35.7.2 Products And End Users
    • 35.7.3 R&D Activities And Spend
    • 35.7.4 Estimated Annual Revenues
    • 35.7.5 Global And Regional Market Share
    • 35.7.6 Year- On- Year Sales Growth
    • 35.7.7 Gross Profit Margin
    • 35.7.8 Investment Received And Investor Names
    • 35.7.9 Estimated Valuation

36 Middle East Generative Artificial Intelligence (AI) In Music Market Competitive Landscape And Company Profiles

  • 36.1 Middle East Generative Artificial Intelligence (AI) In Music Market Competitive Landscape
  • 36.2 Middle East Generative Artificial Intelligence (AI) In Music Market Company Profiles
  • 36.3 Waves Audio Ltd.
    • 36.3.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 36.3.2 Products And End Users
    • 36.3.3 R&D Activities And Spend
    • 36.3.4 Estimated Annual Revenues
    • 36.3.5 Global And Regional Market Share
    • 36.3.6 Year- On- Year Sales Growth
    • 36.3.7 Gross Profit Margin
    • 36.3.8 Investment Received And Investor Names
    • 36.3.9 Estimated Valuation
  • 36.4 Anghami Inc.
    • 36.4.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 36.4.2 Products And End Users
    • 36.4.3 R&D Activities And Spend
    • 36.4.4 Estimated Annual Revenues
    • 36.4.5 Global And Regional Market Share
    • 36.4.6 Year- On- Year Sales Growth
    • 36.4.7 Gross Profit Margin
    • 36.4.8 Investment Received And Investor Names
    • 36.4.9 Estimated Valuation
  • 36.5 Vochlea Music
    • 36.5.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 36.5.2 Products And End Users
    • 36.5.3 R&D Activities And Spend
    • 36.5.4 Estimated Annual Revenues
    • 36.5.5 Global And Regional Market Share
    • 36.5.6 Year- On- Year Sales Growth
    • 36.5.7 Gross Profit Margin
    • 36.5.8 Investment Received And Investor Names
    • 36.5.9 Estimated Valuation
  • 36.6 Aiva Technologies SARL
    • 36.6.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 36.6.2 Products And End Users
    • 36.6.3 R&D Activities And Spend
    • 36.6.4 Estimated Annual Revenues
    • 36.6.5 Global And Regional Market Share
    • 36.6.6 Year- On- Year Sales Growth
    • 36.6.7 Gross Profit Margin
    • 36.6.8 Investment Received And Investor Names
    • 36.6.9 Estimated Valuation
  • 36.7 Soundful
    • 36.7.1 Segment And Role Within The Gen AI In Music Ecosystem
    • 36.7.2 Products And End Users
    • 36.7.3 R&D Activities And Spend
    • 36.7.4 Estimated Annual Revenues
    • 36.7.5 Global And Regional Market Share
    • 36.7.6 Year- On- Year Sales Growth
    • 36.7.7 Gross Profit Margin
    • 36.7.8 Investment Received And Investor Names
    • 36.7.9 Estimated Valuation

37 Competitive Benchmarking

38 Competitive Dashboard

39 Key Mergers And Acquisitions

  • 39.1 Cyanite Acquires Aptone To Enhance AI-Powered Music Analysis And Recommendations
  • 39.2 Soundcloud Acquires Musiio To Boost AI-Powered Music Discovery
  • 39.3 Apple Acquires AI Music To Revolutionize Its Audio Offerings

40 Opportunities And Strategies

  • 40.1 Global Generative Artificial Intelligence (AI) In Music Market In 2029 - Countries Offering Most New Opportunities
  • 40.2 Global Generative Artificial Intelligence (AI) In Music Market In 2029 - Segments Offering Most New Opportunities
  • 40.3 Global Generative Artificial Intelligence (AI) In Music Market In 2029 - Growth Strategies
    • 40.3.1 Market Trend Based Strategies
    • 40.3.2 Competitor Strategies

41 Generative Artificial Intelligence (AI) In Music Market, Conclusions And Recommendations

  • 41.1 Conclusions
  • 41.2 Recommendations
    • 41.2.1 Product
    • 41.2.2 Place
    • 41.2.3 Price
    • 41.2.4 Promotion
    • 41.2.5 People

42 Appendix

  • 42.1 Geographies Covered
  • 42.2 Market Data Sources
  • 42.3 Research Methodology
  • 42.4 Currencies
  • 42.5 The Business Research Company
  • 42.6 Copyright and Disclaimer