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市場調查報告書
商品編碼
1521439

音樂團體與藝術家：市場佔有率分析、產業趨勢與統計、成長預測（2024-2029）

Musical Groups And Artists - Market Share Analysis, Industry Trends & Statistics, Growth Forecasts (2024 - 2029)
出版日期: | 出版商: Mordor Intelligence | 英文 150 Pages | 商品交期: 2-3個工作天內

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簡介目錄

音樂團體和藝術家的市場規模預計到 2024 年為 303 億美元，預計到 2029 年將達到 436 億美元，在預測期內（2024-2029 年）複合年成長率為 7.55%。

音樂團體和藝術家市場

主要亮點

  • 數位平台和社交媒體的興起使獨立藝術家能夠在不依賴傳統唱片公司的情況下創作和發行音樂。獨立藝術家可以直接與粉絲聯繫，保留創新控制權，並可以存取各種數位傳輸管道。
  • 來自不同流派和背景的藝術家之間的合作變得越來越受歡迎。協作計劃和功能可幫助藝術家擴大粉絲群、嘗試不同的風格並創造獨特的音樂體驗。
  • 音樂產業變得更加全球化，來自不同國家和文化的藝術家獲得了國際認可。串流平台促進了不同地區音樂的發現，導致韓國流行音樂、拉丁音樂和非洲節奏等流派在全球流行。
  • 社群媒體平台已成為藝術家宣傳音樂、與粉絲互動和建立強大線上形象的重要工具。數位行銷策略，包括有針對性的廣告和與影響者的合作，在接觸和擴大粉絲群方面發揮關鍵作用。

音樂團體和藝術家的市場趨勢

現場音樂佔領市場

  • 現場音樂預計將成為音樂團體和藝術家行業的主要推動力。著名的現場音樂活動組織者將客戶滿意度放在首位，並推出了各種行動應用程式以提高客戶的可近性和便利性。
  • 此外，我們也提供門票銷售、商品銷售、住宿等服務。此外，活動組織者正在與線上票務提供者合作，以認知到智慧型手機在年輕人中越來越流行來預訂音樂活動門票。
  • 5G技術的日益普及預計將導致音樂活動市場更多地使用數位平台進行門票預訂、訂餐、酒店住宿等。這些進步將顯著增強音樂產業，並促進音樂團體和藝術家產業的整體成長。

音樂產業數位收入

  • 數位音樂產業主要是由數位化程度的提高和網際網路的普及所推動的。促進音樂產業成長的主要因素包括藝術家的線上音樂發行、廣告成本以及串流媒體服務激增導致的銷售增加。
  • 此外，基於行動的音樂應用程式的興起和基於訂閱的服務的激增在促進音樂團體和藝術家行業的擴張方面發揮關鍵作用。
  • 儘管有這些積極的趨勢，該行業仍面臨重大挑戰，特別是在與使用線上平台和票務供應商相關的隱私和資料安全問題方面。

音樂團體和藝人產業概覽

音樂團體和藝術家市場競爭非常激烈。隨著實體專輯銷售的下降，藝術家們正在實現收入來源多元化。他們依賴串流版權費、商品銷售、品牌合作夥伴關係、贊助以及 Patreon 和群眾集資等粉絲支持平台等收入來源。

其他福利：

  • Excel 格式的市場預測 (ME) 表
  • 3 個月分析師支持

目錄

第1章 簡介

  • 研究假設和市場定義
  • 調查範圍

第2章調查方法

第3章執行摘要

第4章市場動態與洞察

  • 市場概況
  • 市場促進因素
    • 現場音樂的日益普及推動市場
  • 市場限制因素
    • 虛擬和線上活動的競爭
  • 市場機會
    • 音樂團體和藝術家空間的創新
  • 產業價值鏈分析
  • 產業吸引力－波特五力分析
    • 新進入者的威脅
    • 買方議價能力
    • 供應商的議價能力
    • 替代品的威脅
    • 競爭公司之間的敵對關係
  • 對市場創新的見解
  • COVID-19 對市場的影響

第5章市場區隔

  • 按類型
    • 音樂節
    • 音樂會
    • 音樂表演
    • 其他類型
  • 按類型
    • 岩石
    • 流行音樂
    • EDM
    • 其他流派
  • 按收入來源
    • 票
    • 贊助
    • 其他收入來源
  • 按年齡層別
    • 20歲以下
    • 21-40歲
    • 40歲以上
  • 按地區
    • 北美洲
      • 美國
      • 加拿大
      • 北美其他地區
    • 歐洲
      • 德國
      • 法國
      • 英國
      • 義大利
      • 荷蘭
      • 其他歐洲國家
    • 亞太地區
      • 中國
      • 印度
      • 日本
      • 澳洲
      • 其他亞太地區
    • 南美洲
      • 巴西
      • 阿根廷
      • 南美洲其他地區
    • 中東/非洲
      • 南非
      • 阿拉伯聯合大公國
      • 其他中東和非洲

第6章 競爭狀況

  • 市場集中度概況
  • 公司簡介
    • BMG Rights Management GmbH
    • Kobalt Music Group, Ltd.
    • Sony Music Entertainment
    • Universal Music Group
    • Warner Music Inc
    • Live Nation Entertainment, Inc.
    • AEG Presents
    • The Madison Square Garden Company
    • C3 Presents
    • StubHub

第7章 市場趨勢

第 8 章 免責聲明與出版商訊息

簡介目錄
Product Code: 50001778

The Musical Groups And Artists Market size is estimated at USD 30.30 billion in 2024, and is expected to reach USD 43.60 billion by 2029, growing at a CAGR of 7.55% during the forecast period (2024-2029).

Musical Groups And Artists - Market

Key Highlights

  • The rise of digital platforms and social media has empowered independent artists to produce and distribute their music without relying on traditional record labels. Independent artists can connect directly with their fans, retain creative control, and access various digital distribution channels.
  • Collaborations between artists from different genres and backgrounds have become increasingly popular. Collaborative projects and features help artists expand their fan base, experiment with different styles, and create unique musical experiences.
  • The music industry has become more globalized, with artists from different countries and cultures gaining international recognition. Streaming platforms have facilitated the discovery of music from various regions, leading to the popularity of genres such as K-pop, Latin music, and Afro beats on a global scale.
  • Social media platforms have become essential tools for artists to promote their music, engage with fans, and build a strong online presence. Digital marketing strategies, including targeted advertising and influencer collaborations, play a crucial role in reaching and expanding the fan base.

Musical Groups And Artists Market Trends

Live Music Dominated the Market

  • Live music is anticipated to be a key driver of the musical groups and artists industry. Prominent live music event organizers are prioritizing customer satisfaction and introducing various mobile applications to enhance accessibility and convenience for customers.
  • Additionally, they provide services such as ticket sales, merchandise, and accommodation. Furthermore, event organizers are forming partnerships with online ticket providers, recognizing the prevalent use of smartphones among the youth for booking tickets to music events.
  • The increasing penetration of 5G technologies is expected to further enhance the utilization of digital platforms in the music event market for tasks such as ticket booking, meal ordering, and hotel accommodation. These advancements are poised to significantly bolster the music industry and contribute to the overall growth of the musical groups and artists industry.

Digital Revenue of The Music Industry

  • The digital music industry is primarily driven by increased digitization and widespread internet penetration. Key contributors to the music industry's growth include online music distribution by artists, advertising spending, and augmented sales resulting from the popularity of streaming services.
  • Additionally, the rise in mobile-based music applications and the surge in subscription-based services play pivotal roles in fostering the expansion of musical groups and the artists industry.
  • Despite these positive trends, the industry faces significant challenges, particularly in terms of privacy and data security concerns associated with the use of online platforms and ticket vendors.

Musical Groups And Artists Industry Overview

The music groups and artists market is highly competitive. With the decline in physical album sales, artists have diversified their revenue streams. They rely on income sources, including streaming royalties, merchandise sales, brand partnerships, sponsorships, and fan-supported platforms such as Patreon and crowdfunding. The major players are BMG Rights Management GmbH, Kobalt Music Group, Ltd., Sony Music Entertainment, Universal Music Group, and Warner Music Inc..

Additional Benefits:

  • The market estimate (ME) sheet in Excel format
  • 3 months of analyst support

TABLE OF CONTENTS

1 INTRODUCTION

  • 1.1 Study Assumptions and Market Definition
  • 1.2 Scope of the Study

2 RESEARCH METHODOLOGY

3 EXECUTIVE SUMMARY

4 MARKET DYNAMICS AND INSIGHTS

  • 4.1 Market Overview
  • 4.2 Market Drivers
    • 4.2.1 Growing Popularity of Live Music Drives The Market
  • 4.3 Market Restraints
    • 4.3.1 Competition From Virtual And Online Events
  • 4.4 Market Opportunities
    • 4.4.1 Technological Innovations In Musical And Artists Market
  • 4.5 Industry Value Chain Analysis
  • 4.6 Industry Attractiveness - Porter's Five Forces Analysis
    • 4.6.1 Threat of New Entrants
    • 4.6.2 Bargaining Power of Buyers
    • 4.6.3 Bargaining Power of Suppliers
    • 4.6.4 Threat of Substitutes
    • 4.6.5 Intensity of Competitive Rivalry
  • 4.7 Insights on Technology Innovation in the Market.
  • 4.8 Impact of COVID-19 on the Market

5 MARKET SEGMENTATION

  • 5.1 By Type
    • 5.1.1 Music Festivals
    • 5.1.2 Music Concerts
    • 5.1.3 Music Shows
    • 5.1.4 Other Types
  • 5.2 By Genre
    • 5.2.1 Rock
    • 5.2.2 Pop
    • 5.2.3 EDM
    • 5.2.4 Other Genres
  • 5.3 By Revenue Source
    • 5.3.1 Tickets
    • 5.3.2 Sponsorship
    • 5.3.3 Other Revenue Sources
  • 5.4 By Age Group
    • 5.4.1 Below 20 Years
    • 5.4.2 21 to 40 Years
    • 5.4.3 Above 40 Years
  • 5.5 By Geography
    • 5.5.1 North America
      • 5.5.1.1 United States
      • 5.5.1.2 Canada
      • 5.5.1.3 Rest of North America
    • 5.5.2 Europe
      • 5.5.2.1 Germany
      • 5.5.2.2 France
      • 5.5.2.3 United Kingdom
      • 5.5.2.4 Italy
      • 5.5.2.5 Netherlands
      • 5.5.2.6 Rest of Europe
    • 5.5.3 Asia-Pacific
      • 5.5.3.1 China
      • 5.5.3.2 India
      • 5.5.3.3 Japan
      • 5.5.3.4 Australia
      • 5.5.3.5 Rest of Asia Pacific
    • 5.5.4 South America
      • 5.5.4.1 Brazil
      • 5.5.4.2 Argentina
      • 5.5.4.3 Rest Of South America
    • 5.5.5 Middle East & Africa
      • 5.5.5.1 South Africa
      • 5.5.5.2 UAE
      • 5.5.5.3 Rest of Middle East & Africa

6 COMPETITIVE LANDSCAPE

  • 6.1 Market Concetration Overview
  • 6.2 Company Profiles
    • 6.2.1 BMG Rights Management GmbH
    • 6.2.2 Kobalt Music Group, Ltd.
    • 6.2.3 Sony Music Entertainment
    • 6.2.4 Universal Music Group
    • 6.2.5 Warner Music Inc
    • 6.2.6 Live Nation Entertainment, Inc.
    • 6.2.7 AEG Presents
    • 6.2.8 The Madison Square Garden Company
    • 6.2.9 C3 Presents
    • 6.2.10 StubHub*

7 MARKET FUTURE TRENDS

8 DISCLAIMER AND ABOUT US