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市場調查報告書
商品編碼
1485126

漫畫書市場 - 全球產業規模、佔有率、趨勢、機會和預測，按類型、格式、類型、地區、競爭細分，2019-2029F

Comic Book Market - Global Industry Size, Share, Trends, Opportunity, and Forecast, Segmented By Type, By Format, By Genre, By Region, By Competition, 2019-2029F
出版日期: | 出版商: TechSci Research | 英文 184 Pages | 商品交期: 2-3個工作天內

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簡介目錄

2023 年全球漫畫書市場估值為88.4 億美元，預計在預測期內將強勁成長，到2029 年複合年成長率為9.94%。等等以及格式的不斷進步，整體提升了閱讀體驗。此外，漫畫書在已開發國家和發展中國家的日益普及也增強了其廣泛的吸引力。大多數美國人每月都會閱讀這些書籍。隨著教育工作者和圖書館員現在認知到漫畫書是兒童和年輕人的主流文學，預計該市場在未來幾年將經歷快速成長。過去十年，全球漫畫市場經歷了重大變革，新趨勢不斷出現。新一代精明的編輯正在促進委託流程的擴展，而行銷、宣傳、銷售和分銷都以有利於市場的方式發展。儘管數位浪潮影響著傳統文學形式，但漫畫書仍保持著彈性，《丁丁歷險記》、《阿斯特里克斯》、《蜘蛛人》和《少年泰坦》等標誌性作品吸引了全世界兒童的想像力。鑑於漫威和 DC 漫畫等行業巨頭擁有龐大的粉絲基礎，可以合理地假設絕大多數人在童年時期都接觸過漫畫書。這些因素近年來推動了市場的成長。此外，全球成人和兒童漫畫書市場在2021 年都經歷了顯著成長。 28% 的人承認閱讀漫畫書。然而，消費者和兒童對 OTT 平台上的電影和電視劇的興趣日益濃厚，阻礙了該行業的擴張。提供直播串流服務的 OTT 平台旨在將傳統付費電視的優勢與網路的靈活性相結合，為全球行銷人員、經銷商和內容創作者提供多種選擇。

市場概況
預測期 2025-2029
2023 年市場規模 88.4億美元
2029 年市場規模 155.2億美元
2024-2029 年複合年成長率 9.94%
成長最快的細分市場 電子書
最大的市場 北美洲

主要市場促進因素

數位革命和線上平台

智慧財產權利用

多元化的內容和包容性的故事講述

獨立和小型出版社復興

合作與跨界

利基市場和專業市場

主要市場挑戰

數位化與盜版

印刷品銷售下降和分銷挑戰

其他娛樂媒體的競爭

多元化和包容性鬥爭

獨立創作者面臨的財務壓力

主要市場趨勢

數位創新和網路漫畫

多元宇宙故事敘述與擴展的宇宙

包容性和多元化代表性

圖像小說作為主導形式的崛起

跨媒體說故事和跨平台整合

細分市場洞察

類型洞察

區域洞察

目錄

第 1 章：簡介

第 2 章：研究方法

第 3 章：執行摘要

第 4 章：客戶之聲

第 5 章：全球漫畫書市場展望

  • 市場規模及預測
    • 按價值
  • 市佔率及預測
    • 按類型（數字、非數字）
    • 按格式（硬拷貝、電子書、有聲書）
    • 按類型（科幻小說、漫畫、超級英雄、非小說類、其他）
    • 按地區分類
    • 按排名前 5 名的公司及其他 (2023 年)
  • 全球漫畫書市場測繪與機會評估
    • 按類型
    • 按格式
    • 按類型
    • 按地區

第 6 章：北美漫畫書市場展望

  • 市場規模及預測
    • 按價值
  • 市佔率及預測
    • 按類型
    • 按格式
    • 按類型
    • 按國家/地區
  • 北美：國家分析
    • 美國
    • 加拿大
    • 墨西哥

第 7 章：歐洲漫畫書市場展望

  • 市場規模及預測
    • 按價值
  • 市佔率及預測
    • 按類型
    • 按格式
    • 按類型
    • 按國家/地區
  • 歐洲：國家分析
    • 德國
    • 英國
    • 義大利
    • 法國
    • 西班牙

第 8 章：亞太地區漫畫書市場展望

  • 市場規模及預測
    • 按價值
  • 市佔率及預測
    • 按類型
    • 按格式
    • 按類型
    • 按國家/地區
  • 亞太地區：國家分析
    • 中國
    • 印度
    • 日本
    • 韓國
    • 澳洲

第 9 章：南美洲漫畫書市場展望

  • 市場規模及預測
    • 按價值
  • 市佔率及預測
    • 按類型
    • 按格式
    • 按類型
    • 按國家/地區
  • 南美洲：國家分析
    • 巴西
    • 阿根廷
    • 哥倫比亞

第 10 章：中東和非洲漫畫書市場展望

  • 市場規模及預測
    • 按價值
  • 市佔率及預測
    • 按類型
    • 按格式
    • 按類型
    • 按國家/地區
  • MEA：國家分析
    • 南非
    • 沙烏地阿拉伯
    • 阿拉伯聯合大公國
    • 土耳其
    • 埃及

第 11 章：市場動態

  • 促進要素
  • 挑戰

第 12 章：市場趨勢與發展

第 13 章：SWOT 分析

  • 力量
  • 弱點
  • 機會
  • 威脅

第14章：競爭格局

  • 公司簡介
    • The Walt Disney Company (Marvel Comics)
    • DC Comics, Inc.
    • Image Comics, Inc.
    • Idea and Design Works LLC
    • Dark Horse Comics LLC
    • SHOGAKUKAN ASIA PTE. LTD.
    • Hakusensha, Inc.
    • Shueisha Inc.
    • TOKYOPOP Inc.
    • PANINI SPA

第 15 章：策略建議

  • 重點關注領域
  • 按類型分類的目標
  • 按格式定位

第16章調查會社について,免責事項

簡介目錄
Product Code: 21748

Global Comic Book Market was valued at USD 8.84 Billion in 2023 and is anticipated to project robust growth in the forecast period with a CAGR of 9.94% through 2029. The comic book market has been influenced by various key factors, including rising income, growing interest, and continuous advancements in the format, which have enhanced the reading experience overall. Additionally, the increasing popularity of comic books in both developed and developing nations has contributed to its widespread appeal. A majority of people in the U.S. engage with these books on a monthly basis. With educators and librarians now recognizing comic books as mainstream literature for children and young adults, the market is projected to experience rapid growth in the coming years. Over the past decade, the global comic book market has undergone significant transformation, with new trends emerging. A new generation of savvy editors is facilitating the expansion of the commissioning process, while marketing, publicity, and sales & distribution have all evolved in ways that benefit the market. Despite the digital wave impacting traditional forms of literature, comic books have remained resilient, with iconic titles like Tintin, Asterix, Spiderman, and Teen Titans capturing the imaginations of children worldwide. It's reasonable to assume that a vast majority of individuals have encountered comic books during their childhood, given the immense fan bases of industry giants like Marvel and DC Comics. These factors have fueled the market's growth in recent years. Moreover, the global market for comic books among both adults and children experienced significant growth in 2021. For instance, a poll conducted by a leading decision intelligence firm revealed that 38% of American adults admitted to reading comic books in 2021, with 28% of American women acknowledging their readership. However, the industry's expansion is hindered by the increasing interest of consumers and children in films and series available on over-the-top (OTT) platforms. OTT platforms, which offer live streaming services, aim to combine the strengths of traditional pay TV with the flexibility of the Internet, providing a plethora of options for marketers, distributors, and content creators worldwide.

Market Overview
Forecast Period2025-2029
Market Size 2023USD 8.84 Billion
Market Size 2029USD 15.52 Billion
CAGR 2024-20299.94%
Fastest Growing SegmentE-Book
Largest MarketNorth America

Key Market Drivers

Digital Revolution and Online Platforms

The digital revolution has ushered in a new era for the comic book industry. The advent of digital platforms and online distribution channels has significantly expanded the reach of comic books, transcending geographical boundaries. Digital platforms like ComiXology, Kindle, and Webtoon have democratized access to comics, allowing enthusiasts to explore diverse genres and discover content from around the world. This accessibility has not only attracted new readers but also provided established publishers with innovative avenues for content delivery.

Digital formats offer unique advantages, such as interactive storytelling, multimedia integration, and the ability to reach a global audience instantly. The convenience of accessing a vast library of comics through smartphones, tablets, and e-readers has played a pivotal role in redefining the consumption patterns of comic book enthusiasts.

Intellectual Property Exploitation

The global comic book market has witnessed a surge in the exploitation of intellectual properties (IPs) across various media channels. Major comic book characters and storylines have become lucrative franchises for film, television, merchandise, and gaming industries. The success of cinematic universes like Marvel and DC has not only boosted comic book sales but has also turned characters like Iron Man and Wonder Woman into cultural icons.

The cross-media adaptation of comic book IPs has created a symbiotic relationship between different entertainment sectors. As a result, comic book publishers are strategically leveraging their IPs to generate revenue streams beyond traditional print sales. This trend has brought about a convergence of storytelling across diverse media, attracting a broader audience base and enhancing the overall market appeal of comic book content.

Diverse Content and Inclusive Storytelling

The evolving demographics of comic book readers have prompted a shift towards more diverse and inclusive storytelling. Publishers are increasingly recognizing the importance of representing a wide range of voices and experiences in their narratives. This inclusivity not only resonates with a broader audience but also addresses the demand for diverse characters and perspectives.

Comics exploring themes of identity, culture, and social issues are gaining prominence, reflecting a growing awareness of the medium's potential to engage with complex and relevant topics. This diversification of content has broadened the appeal of comic books, attracting readers from different age groups, genders, and cultural backgrounds.

Independent and Small Press Renaissance

The rise of independent and small press publishers has injected new energy into the comic book market. These publishers, often characterized by innovative storytelling and unique art styles, have carved a niche for themselves, attracting a dedicated fan base. Platforms like Kickstarter have facilitated the crowdfunding of independent comic projects, providing creators with an alternative avenue to bring their visions to life.

The renaissance of independent comics is not only fostering creativity but is also challenging the dominance of mainstream publishers. Readers are increasingly seeking out fresh and unconventional narratives, and independent comics offer a diverse range of storytelling that may not conform to traditional genre conventions.

Collaborations and Crossovers

Collaborations and crossovers between different comic book universes have become a driving force in the industry. Major publishers are strategically partnering to create crossover events that bring together iconic characters and storylines. These collaborations generate significant buzz, drawing in readers from various fan bases and fostering a sense of community among comic book enthusiasts.

Crossovers also extend beyond the comic book pages, influencing other media such as movies, television, and merchandise. These collaborative efforts not only boost sales but also create a sense of excitement and anticipation within the fan community.

Niche and Specialty Markets

The comic book market is diversifying to cater to niche and specialty audiences. Publishers are exploring sub-genres, niche themes, and specialized formats to appeal to specific reader interests. This strategy involves the production of comics that cater to specific age groups, genres, or cultural preferences, creating a more tailored and personalized reading experience.

The emergence of graphic novels as a distinct and popular format has contributed to the growth of the specialty market. Graphic novels, often featuring longer and more complex narratives, have found success in both mainstream and niche markets, appealing to readers looking for a more immersive storytelling experience.

Key Market Challenges

Digitization and Piracy

The digitization of content has presented a double-edged sword for the comic book industry. While digital platforms have expanded the market's reach, piracy has emerged as a significant challenge. Illicit distribution of comics through online channels poses a threat to publishers' revenue streams, impacting their ability to monetize digital content effectively.

The ease with which digital comics can be replicated and shared across unauthorized platforms undermines the intellectual property rights of creators and publishers. The battle against piracy requires not only technological solutions but also a shift in consumer attitudes towards valuing and supporting the creators behind the content.

Declining Print Sales and Distribution Challenges

Traditional print sales, once the cornerstone of the comic book industry, are facing a decline in the face of digital alternatives. Independent retailers are grappling with the challenge of maintaining profitability as digital platforms gain prominence. The closure of brick-and-mortar comic book stores, especially in the wake of economic uncertainties and the global pandemic, poses a threat to the physical distribution infrastructure.

The shift towards digital consumption also raises questions about the sustainability of print-centric business models. Publishers must navigate this transition strategically, balancing the demands of digital audiences with the preservation of print traditions, all while addressing the logistical challenges associated with physical distribution.

Competition from Other Entertainment Media

The global comic book market is not operating in isolation; it competes for consumers' attention with an array of entertainment options, including video games, streaming services, and social media. The challenge lies in maintaining the relevance of comic books in a crowded media landscape. While cross-media adaptations have been successful in elevating the status of comic book characters, sustaining the appeal of the source material requires continuous innovation and adaptability.

Comics must vie for their share of the audience's leisure time, making it imperative for publishers to explore innovative storytelling formats, engaging narratives, and strategic marketing to distinguish themselves in an increasingly competitive market.

Diversity and Inclusivity Struggles

While efforts have been made to diversify content and promote inclusivity within the comic book industry, challenges persist in achieving authentic representation. Stereotypes, tokenism, and a lack of diverse voices behind the scenes continue to hinder progress. The industry must confront and address systemic barriers that limit the participation of creators from underrepresented groups.

Moreover, striking a balance between inclusivity and avoiding cultural appropriation is a delicate task. Navigating these challenges requires a commitment to genuine representation, diverse hiring practices, and fostering an environment that encourages creators from all backgrounds to contribute their unique perspectives.

Financial Pressures on Independent Creators

Independent creators and small press publishers face distinct financial challenges in bringing their projects to fruition. The costs associated with production, printing, and marketing can be daunting, and the absence of established distribution channels may limit their ability to reach a wider audience. Crowdfunding platforms offer a lifeline, but success is not guaranteed, and the risk of financial strain looms large.

The global comic book market must find ways to support and sustain independent creators, recognizing their role in fostering creativity and diversifying the industry. Initiatives such as mentorship programs, grants, and streamlined distribution options can alleviate some of the financial burdens faced by independent creators.

Key Market Trends

Digital Innovation and Webcomics

One of the most significant trends in the global comic book market is the rise of digital innovation, particularly the flourishing realm of webcomics. Digital platforms and online communities have empowered creators to publish and distribute their work independently, circumventing traditional gatekeepers. Webcomics, characterized by serialized online content, offer a diverse range of genres and styles, attracting a global audience through accessible and often free-to-read formats.

Platforms like Webtoon and Tapas have become hotbeds for emerging talent, providing creators with direct access to readers and monetization opportunities through ad revenue, microtransactions, or premium subscription models. This trend not only democratizes content creation but also challenges the traditional publishing model, opening avenues for diverse voices and unconventional storytelling.

Multiverse Storytelling and Expanded Universes

The concept of a multiverse, where multiple storylines coexist within a shared narrative universe, has become a driving force in the global comic book market. Major publishers like Marvel and DC have perfected the art of interconnecting characters and plotlines across various series, creating expansive and interconnected storytelling universes. This trend not only appeals to dedicated comic book enthusiasts but also serves as a gateway for new readers, enticing them to explore a rich tapestry of interconnected narratives.

The success of cinematic universes, such as the Marvel Cinematic Universe (MCU), has further amplified the appeal of multiverse storytelling. It has become a strategic approach for publishers to retain audience engagement, boost sales through crossover events, and create a sense of continuity that spans across various mediums.

Inclusivity and Diverse Representation

A significant and transformative trend in the global comic book market is the industry's commitment to inclusivity and diverse representation. Comics are increasingly embracing a broader range of voices, perspectives, and characters, reflecting the diversity of the global audience. This trend goes beyond token gestures, with creators actively working to address gaps in representation and tell stories that resonate with a variety of experiences.

Creators and publishers are introducing characters from different ethnicities, genders, sexual orientations, and abilities. Inclusive storytelling not only serves to broaden the appeal of comics but also fosters a more inclusive and empathetic community. Readers are actively seeking narratives that reflect their own experiences, and the industry's responsiveness to this demand is shaping a more vibrant and culturally relevant landscape.

Rise of Graphic Novels as a Dominant Format

The graphic novel format has witnessed a surge in popularity, emerging as a dominant trend in the global comic book market. Distinct from traditional single-issue comics, graphic novels offer longer, cohesive narratives that explore complex themes and character arcs. This format appeals to a broader audience, including readers who may be new to comics but are drawn to immersive storytelling.

Major publishers and independent creators alike are prioritizing the production of graphic novels, recognizing their potential to attract a diverse readership and garner critical acclaim. Bookstores, libraries, and educational institutions have embraced graphic novels as legitimate literary works, contributing to their mainstream acceptance.

Transmedia Storytelling and Cross-Platform Integration

The trend of transmedia storytelling involves the seamless integration of narratives across various media platforms, including film, television, video games, and merchandise. Major comic book properties are no longer confined to the pages of a comic; they are expansive franchises that span different forms of entertainment. This trend is driven by the desire to maximize audience engagement, reach new demographics, and capitalize on the popularity of cross-platform content consumption.

Successful examples include the adaptation of comic book characters into blockbuster films, animated series, and video games. Transmedia storytelling not only expands the visibility of comic book properties but also creates a synergistic relationship between different forms of media, fostering a more immersive and interconnected entertainment experience.

Segmental Insights

Type Insights

In 2023, the non-digital segment dominated the Comic Book market share. Printed materials offer several advantages over digital formats. They are easier on the eyes, simpler to browse, and possess a durability that digital texts, which are relatively impermanent and easily edited, lack. Furthermore, a Pew Research Center study conducted in 2021 revealed that traditional non-digital copies remained the preferred reading format for both adults and children, driving market growth projections for the foreseeable future. The digital segment is expected to exhibit the fastest Compound Annual Growth Rate (CAGR). This is attributed to the increasing preference for e-books, downloadable books, and audiobooks, which eliminate the need to carry physical copies. Devices like Kindle and tablet PCs enable readers to access their entire library wherever they go, as they can store files of various sizes, granting access to multiple books simultaneously.

Regional Insights

In 2023, the North America Comic Book market boasted the largest market share. Local publishers dominate this region, and there is a projected increase in demand for foreign comic books. Despite the diverse range of languages spoken in this region, the demand for books in regional languages surpasses that of English books. Additionally, with more nations in the region gaining access to high-speed Internet, there is a growing demand for e-books. Europe is anticipated to witness the second-fastest Compound Annual Growth Rate (CAGR). The surge in digital publishing across various formats, the digitization of back catalogues, the proliferation of print-on-demand services, and the rise in self-published titles are driving market growth in the region. Following the COVID-19 pandemic, there has been a notable increase in the sales of e-books and audiobooks in many European countries. In some instances, publishers have opted to release certain titles exclusively in digital formats.

Key Market Players

The Walt Disney Company (Marvel Comics)

DC Comics, Inc.

Image Comics, Inc.

Idea and Design Works LLC

Dark Horse Comics LLC

SHOGAKUKAN ASIA PTE. LTD.

Hakusensha, Inc.

Shueisha Inc.

TOKYOPOP Inc.

PANINI S.P.A.

Report Scope:

In this report, the Global Comic Book Market has been segmented into the following categories, in addition to the industry trends which have also been detailed below:

Comic Book Market, By Type:

    Digital Non-Digital

Comic Book Market, By Format:

    Hard Copy E-Book Audiobooks

Comic Book Market, By Genre:

    Science-Fiction Manga Superhero Non-fiction Others

Comic Book Market, By Region:

    North America
    • United States
    • Canada
    • Mexico
    Europe
    • France
    • United Kingdom
    • Italy
    • Germany
    • Spain
    Asia-Pacific
    • China
    • India
    • Japan
    • Australia
    • South Korea
    South America
    • Brazil
    • Argentina
    • Colombia
    Middle East & Africa
    • South Africa
    • Saudi Arabia
    • UAE
    • Turkey
    • Egypt

Competitive Landscape

Company Profiles: Detailed analysis of the major companies present in the Global Comic Book Market.

Available Customizations:

Global Comic Book market report with the given market data, Tech Sci Research offers customizations according to a company's specific needs. The following customization options are available for the report:

Company Information

Detailed analysis and profiling of additional market players (up to five).

Table of Contents

1. Introduction

  • 1.1. Product Overview
  • 1.2. Key Highlights of the Report
  • 1.3. Market Coverage
  • 1.4. Market Segments Covered
  • 1.5. Research Tenure Considered

2. Research Methodology

  • 2.1. Objective of the Study
  • 2.2. Baseline Methodology
  • 2.3. Key Industry Partners
  • 2.4. Major Association and Secondary Sources
  • 2.5. Forecasting Methodology
  • 2.6. Data Triangulation & Validation
  • 2.7. Assumptions and Limitations

3. Executive Summary

  • 3.1. Market Overview
  • 3.2. Market Forecast
  • 3.3. Key Regions
  • 3.4. Key Segments

4. Voice of Customer

  • 4.1. Brand Awareness
  • 4.2. Factors Influencing Purchase Decisions
  • 4.3. Challenges Faced

5. Global Comic Book Market Outlook

  • 5.1. Market Size & Forecast
    • 5.1.1. By Value
  • 5.2. Market Share & Forecast
    • 5.2.1. By Type Market Share Analysis (Digital, Non-Digital)
    • 5.2.2. By Format Market Share Analysis (Hard Copy, E-Book, Audiobooks)
    • 5.2.3. By Genre Market Share Analysis (Science-Fiction, Manga, Superhero, Non-fiction, Others)
    • 5.2.4. By Regional Market Share Analysis
      • 5.2.4.1. North America Market Share Analysis
      • 5.2.4.2. South America Market Share Analysis
      • 5.2.4.3. Middle East & Africa Market Share Analysis
      • 5.2.4.4. Europe Market Share Analysis
      • 5.2.4.5. Asia-Pacific Market Share Analysis
    • 5.2.5. By Top 5 Companies Market Share Analysis, Others (2023)
  • 5.3. Global Comic Book Market Mapping & Opportunity Assessment
    • 5.3.1. By Type Market Mapping & Opportunity Assessment
    • 5.3.2. By Format Market Mapping & Opportunity Assessment
    • 5.3.3. By Genre Market Mapping & Opportunity Assessment
    • 5.3.4. By Region Market Mapping & Opportunity Assessment

6. North America Comic Book Market Outlook

  • 6.1. Market Size & Forecast
    • 6.1.1. By Value
  • 6.2. Market Share & Forecast
    • 6.2.1. By Type Market Share Analysis
    • 6.2.2. By Format Market Share Analysis
    • 6.2.3. By Genre Market Share Analysis
    • 6.2.4. By Country Market Share Analysis
  • 6.3. North America: Country Analysis
    • 6.3.1. United States Comic Book Market Outlook
      • 6.3.1.1. Market Size & Forecast
        • 6.3.1.1.1. By Value
      • 6.3.1.2. Market Share & Forecast
        • 6.3.1.2.1. By Type Market Share Analysis
        • 6.3.1.2.2. By Format Market Share Analysis
        • 6.3.1.2.3. By Genre Market Share Analysis
    • 6.3.2. Canada Comic Book Market Outlook
      • 6.3.2.1. Market Size & Forecast
        • 6.3.2.1.1. By Value
      • 6.3.2.2. Market Share & Forecast
        • 6.3.2.2.1. By Type Market Share Analysis
        • 6.3.2.2.2. By Format Market Share Analysis
        • 6.3.2.2.3. By Genre Market Share Analysis
    • 6.3.3. Mexico Comic Book Market Outlook
      • 6.3.3.1. Market Size & Forecast
        • 6.3.3.1.1. By Value
      • 6.3.3.2. Market Share & Forecast
        • 6.3.3.2.1. By Type Market Share Analysis
        • 6.3.3.2.2. By Format Market Share Analysis
        • 6.3.3.2.3. By Genre Market Share Analysis

7. Europe Comic Book Market Outlook

  • 7.1. Market Size & Forecast
    • 7.1.1. By Value
  • 7.2. Market Share & Forecast
    • 7.2.1. By Type Market Share Analysis
    • 7.2.2. By Format Market Share Analysis
    • 7.2.3. By Genre Market Share Analysis
    • 7.2.4. By Country Market Share Analysis
  • 7.3. Europe : Country Analysis
    • 7.3.1. Germany Comic Book Market Outlook
      • 7.3.1.1. Market Size & Forecast
        • 7.3.1.1.1. By Value
      • 7.3.1.2. Market Share & Forecast
        • 7.3.1.2.1. By Type Market Share Analysis
        • 7.3.1.2.2. By Format Market Share Analysis
        • 7.3.1.2.3. By Genre Market Share Analysis
    • 7.3.2. United Kingdom Comic Book Market Outlook
      • 7.3.2.1. Market Size & Forecast
        • 7.3.2.1.1. By Value
      • 7.3.2.2. Market Share & Forecast
        • 7.3.2.2.1. By Type Market Share Analysis
        • 7.3.2.2.2. By Format Market Share Analysis
        • 7.3.2.2.3. By Genre Market Share Analysis
    • 7.3.3. Italy Comic Book Market Outlook
      • 7.3.3.1. Market Size & Forecast
        • 7.3.3.1.1. By Value
      • 7.3.3.2. Market Share & Forecast
        • 7.3.3.2.1. By Type Market Share Analysis
        • 7.3.3.2.2. By Format Market Share Analysis
        • 7.3.3.2.3. By Genre Market Share Analysis
    • 7.3.4. France Comic Book Market Outlook
      • 7.3.4.1. Market Size & Forecast
        • 7.3.4.1.1. By Value
      • 7.3.4.2. Market Share & Forecast
        • 7.3.4.2.1. By Type Market Share Analysis
        • 7.3.4.2.2. By Format Market Share Analysis
        • 7.3.4.2.3. By Genre Market Share Analysis
    • 7.3.5. Spain Comic Book Market Outlook
      • 7.3.5.1. Market Size & Forecast
        • 7.3.5.1.1. By Value
      • 7.3.5.2. Market Share & Forecast
        • 7.3.5.2.1. By Type Market Share Analysis
        • 7.3.5.2.2. By Format Market Share Analysis
        • 7.3.5.2.3. By Genre Market Share Analysis

8. Asia-Pacific Comic Book Market Outlook

  • 8.1. Market Size & Forecast
    • 8.1.1. By Value
  • 8.2. Market Share & Forecast
    • 8.2.1. By Type Market Share Analysis
    • 8.2.2. By Format Market Share Analysis
    • 8.2.3. By Genre Market Share Analysis
    • 8.2.4. By Country Market Share Analysis
  • 8.3. Asia-Pacific: Country Analysis
    • 8.3.1. China Comic Book Market Outlook
      • 8.3.1.1. Market Size & Forecast
        • 8.3.1.1.1. By Value
      • 8.3.1.2. Market Share & Forecast
        • 8.3.1.2.1. By Type Market Share Analysis
        • 8.3.1.2.2. By Format Market Share Analysis
        • 8.3.1.2.3. By Genre Market Share Analysis
    • 8.3.2. India Comic Book Market Outlook
      • 8.3.2.1. Market Size & Forecast
        • 8.3.2.1.1. By Value
      • 8.3.2.2. Market Share & Forecast
        • 8.3.2.2.1. By Type Market Share Analysis
        • 8.3.2.2.2. By Format Market Share Analysis
        • 8.3.2.2.3. By Genre Market Share Analysis
    • 8.3.3. Japan Comic Book Market Outlook
      • 8.3.3.1. Market Size & Forecast
        • 8.3.3.1.1. By Value
      • 8.3.3.2. Market Share & Forecast
        • 8.3.3.2.1. By Type Market Share Analysis
        • 8.3.3.2.2. By Format Market Share Analysis
        • 8.3.3.2.3. By Genre Market Share Analysis
    • 8.3.4. South Korea Comic Book Market Outlook
      • 8.3.4.1. Market Size & Forecast
        • 8.3.4.1.1. By Value
      • 8.3.4.2. Market Share & Forecast
        • 8.3.4.2.1. By Type Market Share Analysis
        • 8.3.4.2.2. By Format Market Share Analysis
        • 8.3.4.2.3. By Genre Market Share Analysis
    • 8.3.5. Australia Comic Book Market Outlook
      • 8.3.5.1. Market Size & Forecast
        • 8.3.5.1.1. By Value
      • 8.3.5.2. Market Share & Forecast
        • 8.3.5.2.1. By Type Market Share Analysis
        • 8.3.5.2.2. By Format Market Share Analysis
        • 8.3.5.2.3. By Genre Market Share Analysis

9. South America Comic Book Market Outlook

  • 9.1. Market Size & Forecast
    • 9.1.1. By Value
  • 9.2. Market Share & Forecast
    • 9.2.1. By Type Market Share Analysis
    • 9.2.2. By Format Market Share Analysis
    • 9.2.3. By Genre Market Share Analysis
    • 9.2.4. By Country Market Share Analysis
  • 9.3. South America: Country Analysis
    • 9.3.1. Brazil Comic Book Market Outlook
      • 9.3.1.1. Market Size & Forecast
        • 9.3.1.1.1. By Value
      • 9.3.1.2. Market Share & Forecast
        • 9.3.1.2.1. By Type Market Share Analysis
        • 9.3.1.2.2. By Format Market Share Analysis
        • 9.3.1.2.3. By Genre Market Share Analysis
    • 9.3.2. Argentina Comic Book Market Outlook
      • 9.3.2.1. Market Size & Forecast
        • 9.3.2.1.1. By Value
      • 9.3.2.2. Market Share & Forecast
        • 9.3.2.2.1. By Type Market Share Analysis
        • 9.3.2.2.2. By Format Market Share Analysis
        • 9.3.2.2.3. By Genre Market Share Analysis
    • 9.3.3. Colombia Comic Book Market Outlook
      • 9.3.3.1. Market Size & Forecast
        • 9.3.3.1.1. By Value
      • 9.3.3.2. Market Share & Forecast
        • 9.3.3.2.1. By Type Market Share Analysis
        • 9.3.3.2.2. By Format Market Share Analysis
        • 9.3.3.2.3. By Genre Market Share Analysis

10. Middle East and Africa Comic Book Market Outlook

  • 10.1. Market Size & Forecast
    • 10.1.1. By Value
  • 10.2. Market Share & Forecast
    • 10.2.1. By Type Market Share Analysis
    • 10.2.2. By Format Market Share Analysis
    • 10.2.3. By Genre Market Share Analysis
    • 10.2.4. By Country Market Share Analysis
  • 10.3. MEA: Country Analysis
    • 10.3.1. South Africa Comic Book Market Outlook
      • 10.3.1.1. Market Size & Forecast
        • 10.3.1.1.1. By Value
      • 10.3.1.2. Market Share & Forecast
        • 10.3.1.2.1. By Type Market Share Analysis
        • 10.3.1.2.2. By Format Market Share Analysis
        • 10.3.1.2.3. By Genre Market Share Analysis
    • 10.3.2. Saudi Arabia Comic Book Market Outlook
      • 10.3.2.1. Market Size & Forecast
        • 10.3.2.1.1. By Value
      • 10.3.2.2. Market Share & Forecast
        • 10.3.2.2.1. By Type Market Share Analysis
        • 10.3.2.2.2. By Format Market Share Analysis
        • 10.3.2.2.3. By Genre Market Share Analysis
    • 10.3.3. UAE Comic Book Market Outlook
      • 10.3.3.1. Market Size & Forecast
        • 10.3.3.1.1. By Value
      • 10.3.3.2. Market Share & Forecast
        • 10.3.3.2.1. By Type Market Share Analysis
        • 10.3.3.2.2. By Format Market Share Analysis
        • 10.3.3.2.3. By Genre Market Share Analysis
    • 10.3.4. Turkey Comic Book Market Outlook
      • 10.3.4.1. Market Size & Forecast
        • 10.3.4.1.1. By Value
      • 10.3.4.2. Market Share & Forecast
        • 10.3.4.2.1. By Type Market Share Analysis
        • 10.3.4.2.2. By Format Market Share Analysis
        • 10.3.4.2.3. By Genre Market Share Analysis
    • 10.3.5. Egypt Comic Book Market Outlook
      • 10.3.5.1. Market Size & Forecast
        • 10.3.5.1.1. By Value
      • 10.3.5.2. Market Share & Forecast
        • 10.3.5.2.1. By Type Market Share Analysis
        • 10.3.5.2.2. By Format Market Share Analysis
        • 10.3.5.2.3. By Genre Market Share Analysis

11. Market Dynamics

  • 11.1. Drivers
  • 11.2. Challenges

12. Market Trends & Developments

13. SWOT Analysis

  • 13.1. Strength
  • 13.2. Weakness
  • 13.3. Opportunity
  • 13.4. Threat

14. Competitive Landscape

  • 14.1. Company Profiles
    • 14.1.1. The Walt Disney Company (Marvel Comics)
      • 14.1.1.1. Company Details
      • 14.1.1.2. Products & Services
      • 14.1.1.3. Financials (As Per Availability)
      • 14.1.1.4. Key Market Focus & Geographical Presence
      • 14.1.1.5. Recent Developments
      • 14.1.1.6. Key Management Personnel
    • 14.1.2. DC Comics, Inc.
      • 14.1.2.1. Company Details
      • 14.1.2.2. Products & Services
      • 14.1.2.3. Financials (As Per Availability)
      • 14.1.2.4. Key Market Focus & Geographical Presence
      • 14.1.2.5. Recent Developments
      • 14.1.2.6. Key Management Personnel
    • 14.1.3. Image Comics, Inc.
      • 14.1.3.1. Company Details
      • 14.1.3.2. Products & Services
      • 14.1.3.3. Financials (As Per Availability)
      • 14.1.3.4. Key Market Focus & Geographical Presence
      • 14.1.3.5. Recent Developments
      • 14.1.3.6. Key Management Personnel
    • 14.1.4. Idea and Design Works LLC
      • 14.1.4.1. Company Details
      • 14.1.4.2. Products & Services
      • 14.1.4.3. Financials (As Per Availability)
      • 14.1.4.4. Key Market Focus & Geographical Presence
      • 14.1.4.5. Recent Developments
      • 14.1.4.6. Key Management Personnel
    • 14.1.5. Dark Horse Comics LLC
      • 14.1.5.1. Company Details
      • 14.1.5.2. Products & Services
      • 14.1.5.3. Financials (As Per Availability)
      • 14.1.5.4. Key Market Focus & Geographical Presence
      • 14.1.5.5. Recent Developments
      • 14.1.5.6. Key Management Personnel
    • 14.1.6. SHOGAKUKAN ASIA PTE. LTD.
      • 14.1.6.1. Company Details
      • 14.1.6.2. Products & Services
      • 14.1.6.3. Financials (As Per Availability)
      • 14.1.6.4. Key Market Focus & Geographical Presence
      • 14.1.6.5. Recent Developments
      • 14.1.6.6. Key Management Personnel
    • 14.1.7. Hakusensha, Inc.
      • 14.1.7.1. Company Details
      • 14.1.7.2. Products & Services
      • 14.1.7.3. Financials (As Per Availability)
      • 14.1.7.4. Key Market Focus & Geographical Presence
      • 14.1.7.5. Recent Developments
      • 14.1.7.6. Key Management Personnel
    • 14.1.8. Shueisha Inc.
      • 14.1.8.1. Company Details
      • 14.1.8.2. Products & Services
      • 14.1.8.3. Financials (As Per Availability)
      • 14.1.8.4. Key Market Focus & Geographical Presence
      • 14.1.8.5. Recent Developments
      • 14.1.8.6. Key Management Personnel
    • 14.1.9. TOKYOPOP Inc.
      • 14.1.9.1. Company Details
      • 14.1.9.2. Products & Services
      • 14.1.9.3. Financials (As Per Availability)
      • 14.1.9.4. Key Market Focus & Geographical Presence
      • 14.1.9.5. Recent Developments
      • 14.1.9.6. Key Management Personnel
    • 14.1.10. PANINI S.P.A.
      • 14.1.10.1. Company Details
      • 14.1.10.2. Products & Services
      • 14.1.10.3. Financials (As Per Availability)
      • 14.1.10.4. Key Market Focus & Geographical Presence
      • 14.1.10.5. Recent Developments
      • 14.1.10.6. Key Management Personnel

15. Strategic Recommendations

  • 15.1. Key Focus Areas
  • 15.2. Target By Type
  • 15.3. Target By Format

16. About Us & Disclaimer